their evanescent nature, the total uncertainty of what is left behind, are just like the mouldering schemes of human greatness. It is finer than Cleopatra's passionate lamentation over his fallen grandeur, because it is more dim, unstable, unsubstantial. Antony's headstrong presumption and infatuated determination to yield to Cleopatra's wishes to fight by sea instead of land, meet a merited punishment; and the extravagance of his resolutions, increasing with the desperateness of his circumstances, is well commented upon by Ænobarbus.
"I see men judgements are
A parcel of their fortunes, and things outward
Do draw the inward quality after them
To suffer all alike."
The repentance of Ænobarbus after his treachery to his master is the most affecting part of the play. He cannot recover from the blow which Antony's generosity gives him, and he dies broken-hearted "a master-leaver and a fugitive."
Shakespear's genius has spread over the whole play a richness like the overflowing of the Nile.
