LEAR.
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all this pudder and preparation—why torment us with all this unnecessary sympathy? As if the childish pleasure of getting his gilt robes and sceptre again could tempt him to act over again his misused station,—as if at his years and with his experience, any thing was left but to die."[1]
Four things have struck us in reading Lear:
- That poetry is an interesting study, for this reason, that it relates to whatever is most interesting in human life. Whoever therefore has a contempt for poetry, has a contempt for himself and humanity.
- That the language of poetry is superior to the language of painting; because the strongest of our recollections relate to feelings, not to faces.
- That the greatest strength of genius is shewn in describing the strongest passions: for the power of the imagination, in works of invention, must be in proportion to the force of the natural impressions, which are the subject of them.
- That the circumstance which balances the pleasure against the pain in tragedy is, that in proportion to the greatness of the evil, is our sense and desire of the opposite good excited; and that our sympathy with actual suffering is lost in the strong impulse given to our natural affections, and carried away with the swelling tide of passion, that gushes from and relieves the heart.
- ↑ See an article, called Theatralia, in the second volume of the Reflector, by Charles Lamb.
