Henry, and the death of Gloucester, the good Duke Humphrey. The character of Cardinal Beaufort is the most prominent in the group: the account of his death is one of our author's master-pieces. So is the speech of Gloucester to the nobles on the loss of the provinces of France by the king's marriage with Margaret of Anjou. The pretensions and growing ambition of the Duke of York, the father of Richard III. are also very ably developed. Among the episodes, the tragi-comedy of Jack Cade, and the detection of the impostor Simcox are truly edifying.
The third part describes Henry's loss of his crown: his death takes place in the last act, which is usually thrust into the common acting play of Richard III. The character of Gloucester, afterwards King Richard, is here very powerfully commenced, and his dangerous designs and long-reaching ambition are fully described in his soliloquy in the third act, beginning, "Aye, Edward will use women honourably." Henry VI. is drawn as distinctly as his high-spirited Queen, and notwithstanding the very mean figure which Henry makes as a king, we still feel more respect for him than for his wife. We have already observed that Shakespear was scarcely more remarkable for the force and marked contrasts of his characters than for the truth and subtlety with which he has distin-
