RICHARD III.
Richard III. may be considered as properly a stage-play: it belongs to the theatre, rather than to the closet. We shall therefore criticise it chiefly with a reference to the manner in which we have seen it performed. It is the character in which Garrick came out: it was the second character in which Mr. Kean appeared, and in which he acquired his fame. Shakespear we have always with us: actors we have only for a few seasons; and therefore some account of them may be acceptable, if not to our cotemporaries, to those who come after us, if "that rich and idle personage, Posterity," should deign to look into our writings. It is possible to form a higher conception of the character of Richard than that given by Mr. Kean: but we cannot imagine any character represented with greater distinctness and precision, more
