Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/28

page, "His declamations or set speeches are commonly cold and weak, for his power was the power of nature: when he endeavoured, like other tragic writers, to catch opportunities of amplification, and instead of inquiring what the occasion demanded, to shew how much his stores of knowledge could supply, he seldom escapes without the pity or resentment of his reader." Poor Shakespear! Between the charges here brought against him, of want of nature in the first instance, and of want of skill in the second, he could hardly escape being con- demned. And again, "But the admirers of this great poet have most reason to complain when he approaches nearest to his highest excellence, and seems fully resolved to sink them in dejection, or mollify them with tender emotions by the fall of greatness, the danger of innocence, or the crosses of love. What he does best, he soon ceases to do. He no sooner begins to move than he counteracts himself; and terror and pity, as they are rising in the mind, are checked and blasted by sudden frigidity." In all this, our critic seems more bent on maintaining the equilibrium of his style than the consistency or truth of his opinions.—If Dr. Johnson's opinion was right, the following observations on Shakespear's Plays must be greatly exaggerated, if not ridiculous. If he was wrong, what has been said