Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/296

following note to the very next (the second) scene. "This whole scene, like many others in these plays (some of which I believe were written by Shakespear, and others interpolated by the players) is composed of the lowest and most trifling conceits, to be accounted for only by the gross taste of the age he lived in: Populo ut placerent. I wish I had authority to leave them out, but I have done all I could, set a mark of reprobation upon them, throughout this edition." It is strange that our fastidious critic should fall so soon from praising to reprobating. The style of the familiar parts of this comedy is indeed made up of conceits—low they may be for what we know, but then they are not poor, but rich ones. The scene of Launce with his dog (not that in the second, but that in the fourth act) is a perfect treat in the way of farcical drollery and invention; nor do we think Speed's manner of proving his master to be in love deficient in wit or sense, though the style may be criticised as not simple enough for the modern taste.

"Valentine. Why, how know you that I am in love?

Speed. Marry, by these special marks: first, you have learned, like Sir Protheus, to wreathe your arms like a mal-content, to relish a love-song like a robin-red-breast, to walk alone like one that had the pestilence, to sigh like a school-boy that had lost his A B C, to weep like a young wench that had lost her grandam, to fast like one that