Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/343

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THE TAMING OF THE SHREW.
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to say which to admire most, the unaccountableness of his actions, or the unalterableness of his resolutions. It is a character which most husbands ought to study, unless perhaps the very audacity of Petruchio's attempt might alarm them more than his success would encourage them. What a sound must the following speech carry to some married ears!

"Think you a little din can daunt my ears?
Have I not in my time heard lions roar?
Have I not heard the sea, puff'd up with winds,
Rage like an angry boar, chafed with sweat?
Have I not heard great ordnance in the field?
And heav'n's artillery thunder in the skies?
Have I not in a pitched battle heard
Loud larums, neighing steeds, and trumpets clang?
And do you tell me of a woman's tongue,
That gives not half so great a blow to hear,
As will a chesnut in a farmer's fire?"

Not all Petruchio's rhetoric would persuade more than "some dozen followers" to be of this heretical way of thinking. He unfolds his scheme for the Taming of the Shrew, on a principle of contradiction, thus:—

"I'll woo her with some spirit when she comes.
Say that she rail, why then I'll tell her plain
She sings as sweetly as a nightingale;
Say that she frown, I'll say she looks as clear
As morning roses newly wash'd with dew;
Say she be mute, and will not speak a word,

Then I'll commend her volubility,