Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/352

has been drinking hard all night, and he will not be hanged that day"—and Shakespear has let him off at last. We do not understand why the philosophical German critic, Schlegel, should be so severe on those pleasant persons, Lucio, Pompey, and Master Froth, as to call them "wretches." They appear all mighty comfortable in their occupations, and determined to pursue them, "as the flesh and fortune should serve." A very good exposure of the want of self-knowledge and contempt for others, which is so common in the world, is put into the mouth of Abhorson, the jailor, when the Provost proposes to associate Pompey with him in his office—"A bawd, sir? Fie upon him, he will discredit our m'ystery." And the same answer would serve in nine instances out of ten to the same kind of remark, "Go to, sir, you weigh equally; a feather will turn the scale." Shakespear was in one sense the least moral of all writers; for morality (commonly so called) is made up of antipathies; and his talent consisted in sympathy with human nature, in all its shapes, degrees, depressions, and elevations. The object of the pedantic moralist is to find out the bad in every thing: his was to shew that "there is some soul of goodness in things evil." Even Master Barnardine is not left to the mercy of what others think of him; but when he comes in, speaks for himself, and pleads his own cause,