POEMS AND SONNETS.
Our idolatry of Shakespear (not to say our admiration) ceases with his plays. In his other productions, he was a mere author, though not a common author. It was only by representing others, that he became himself. He could go out of himself, and express the soul of Cleopatra; but in his own person, he appeared to be always waiting for the prompter's cue. In expressing the thoughts of others, he seemed inspired; in expressing his own, he was a mechanic. The licence of an assumed character was necessary to restore his genius to the privileges of nature, and to give him courage to break through the tyranny of fashion, the trammels of custom. In his plays, he was "as broad and casing as the general air:" in his poems, on the contrary, he appears to be "cooped, and cabined in" by all the technicalities of art, by all the petty intrica-
