reason than we suppose at first for leaving with Hamlet as his parting injunction the command, 'Remember me,' and for greeting him, on reappearing, with the command, 'Do not forget.'"
Hamlet's conduct from the beginning of the second act is to be examined in the light of the ghost's commands, literally interpreted. His feigning of madness, I should say, may be held to be sanctioned by the ghost's expression, "howsoever thou pursuest this act" But the whole scheme of catching the conscience of the king by means of the play must be pronounced an inexcusable deviation from the path marked out for him. His recognition of the ghost as his father's spirit has been complete. The play is merely a pretext, which enables Hamlet to feel that he is doing something relating to his revenge, and thus to excuse himself for putting off his main task. And the result is not simple postponement, for the play catches the king's conscience in a way that Hamlet had not anticipated, and thereby creates a new obstacle to the attainment of revenge. The king is led to feel remorse and to pray. Hamlet, searching for the king in order that he may kill him, finds him at prayer, and spares his life, in order to avoid the possibility of thwarting his vengeance by sending the king to heaven. Hamlet's reasoning, however it may shock modern sensibilities, is not without a certain plausibility, and according to the
