from the little girl told that she was unhappy in her new surroundings, perhaps being ill-treated by the supercilious Eastern relatives. The miner who was to remain helped the other to pack his belongings in a quaint old carpet sack, and together they undid a bundle which proved to contain a splendid new suit. Not only this, but now came a scene of eloquent appeal to the watcher outside the door. The miner who was to remain expressed stern disapproval of the departing miner's beard. It would never do, he was seen to intimate, and when the other miner portrayed helplessness a new package was unwrapped and a safety razor revealed to his shocked gaze.
At this sight Merton Gill felt himself growing too emotional for a mere careless bystander, and withdrew to a distance where he could regain better control of himself. When he left the miner to be shorn was betraying comic dismay while the other pantomimed the correct use of the implement his thoughfulness had provided. When he returned after half-an-hour's rather nervous walk up another street, the departing miner was clean shaven and one might note the new razor glittering on the low bench beside the battered tin basin.
They worked late in his home that night; trifling scenes were taken and retaken. The departing miner had to dress in his splendid but ill-fitting new garments and to bid an affectionate farewell to his partner, then had to dress in his old clothes again for some bit that had been forgotten, only to don the new suit for close-ups. At another time Merton Gill might have resented this tediously drawn-out affair which was keeping him from his rest, for he had come to look upon this structure as one having rights in it after a certain hour, but a sight of the razor which had not been touched allayed any possible feeling of irritation.
It was nine-thirty before the big lights jarred finally off and the director said, "That's all, boys." Then he turned to call, "Jimmie! Hey, Jimmie ! Where's that prop-rustler gone to now?"
