He emerged into the open of the Holden lot as one who had at last achieved success after long and gruelling privation. He walked briefly among the scenes of this privation, pausing in reminiscent mood before the Crystal Palace Hotel and other outstanding spots where he had so stoically suffered the torments of hunger and discouragement.
He remembered to be glad now that no letter of appeal had actually gone to Gashwiler. Suppose he had built up in the old gentleman's mind a false hope that he might again employ Merton Gill? A good thing he had held out! Yesterday he was starving and penniless; to-day he was fed and on someone's payroll for probably as much money a week as Gashwiler netted from his entire business. From sheer force of association, as he thus meditated, he found himself hungry, and a few moments later he was selecting from the food counter of the cafeteria whatever chanced to appeal to the eye—no weighing of prices now.
Before he had finished his meal Henshaw and his so-called Governor brought their trays to the adjoining table. Merton studied with new interest the director who would some day be telling people that he had been the first to observe the aptitude of this new star—had, in fact, given him a lot of footage and close-ups and medium shots and "dramatics" in The Blight of Broadway when he was a mere extra—before he had made himself known to the public in Jeff Baird's first worth-while piece.
He was strongly moved, now, to bring himself to Henshaw's notice when he heard the latter say, "It's a regular Harold Parmalee part, good light comedy, plenty of heart interest, and that corking fight on the cliff."
He wanted to tell Henshaw that he himself was already engaged to do a Harold Parmalee part, and had been told, not two hours ago, that he would by most people be taken for Parmalee's twin brother. He restrained this impulse, however, as Henshaw went on to talk of the piece in hand.
It proved to be Robinson Crusoe, which he had already discussed. Or, rather, not Robinson Crusoe any longer. Not
