his face as the screen had him murmur, casting the letter aside, "Poor, Silly Little Girls!"
From this early scene Merton learned Parmalee's method of withdrawing the gold cigarette case, of fastidiously selecting a cigarette, of closing the case and of absently—thinking of other matters—tamping the gold-tipped thing against the cover. This was an item that he had overlooked. He should have done that in the cabaret scene. He also mastered the Parmalee trick of withdrawing the handkerchief from the cuff of the perfectly fitting morning coat. That was something else he should have done in The Blight of Broadway. Little things like that, done right, gave the actor his distinction.
The drama progressed. Millionaire Jasper Gordon, "A Power in Wall Street," was seen telephoning to Throckmorton. He was entreating the young actor to spend the week-end at his palatial Long Island country home to meet a few of his friends. The grim old Wall Street magnate was perturbed by Throckmorton's refusal, and renewed his appeal. He was one of those who always had his way in Wall Street, and he at length prevailed upon Throckmorton to accept his invitation. He than manifested the wildest delight, and he was excitedly kissed by his beautiful daughter who had been standing by his side in the sumptuous library while he telephoned. It could be seen that the daughter, even more than her grim old father, wished Mr. Throckmorton to be at the Long Island country home.
Later Throckmorton was seen driving his high-powered roadster, accompanied only by his valet, to the Gordon country home on Long Island, a splendid mansion surrounded by its landscaped grounds where fountains played and roses bloomed against the feathery background of graceful eucalyptus trees. Merton Gill here saw that he must learn to drive a high-powered roadster. Probably Baird would want some of that stuff, too.
A round of country-house gaieties ensued, permitting Throckmorton to appear in a series of perfectly fitting sports
