Page:Wilson - Merton of the Movies (1922).djvu/42

This page has been proofread, but needs to be validated.
28
MERTON OF THE MOVIES

the writer, "and I dare say there is not one who meets Harold Parmalee who does not love him in one way or another. He has mental brilliancy for the intellectuals, good looks for the empty-headed, a strong vital appeal, a magnetism almost overwhelming to the susceptible, and an easy and supremely appealing courtesy for every woman he encounters."

Merton drew a long breath after reading these earnest words. Would an interviewer some day be writing as much about him? He studied the pictures of Harold Parmalee that abundantly spotted the article. The full face, the profile, the symmetrical shoulders, the jaunty bearing, the easy, masterful smile. From each of these he would raise his eyes to his own pictured face on the wall above him. Undoubtedly he was not unlike Harold Parmalee. He noted little similarities. He had the nose, perhaps a bit more jutting than Harold's, and the chin, even more prominent.

Possibly a director would have told him that his Harold Parmalee beauty was just a trifle overdone; that his face went just a bit past the line of pleasing resemblance and into something else. But at this moment the aspirant was reassured. His eyes were pale, under pale brows, yet they showed well in the prints. And he was slightly built, perhaps even thin, but a diet rich in fats would remedy that. And even if he were quite a little less comely than Parmalee, he would still be impressive. After all, a great deal depended upon the acting, and he was learning to act.

Months ago, the resolution big in his heart, he had answered the advertisement in Silver Screenings, urging him to "Learn Movie Acting, a fascinating profession that pays big. Would you like to know," it demanded, "if you are adapted to this work? If so, send ten cents for our Ten-Hour Talent-Prover, or Key to Movie-Acting Aptitude, and find whether you are suited to take it up."

Merton had earnestly wished to know this, and had sent ten cents to the Film Incorporation Bureau, Station N, Stebbinsville, Arkansas. The Talent-Prover, or Key to Movie-Acting Aptitude, had come; he had mailed his answers