Page:Wilson - Merton of the Movies (1922).djvu/71

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THE WATCHER AT THE GATE
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He is there, it would seem, chiefly to keep people out of the delightful city, though from time to time he will bow an assent or wave it with the hand clutching his evening newspaper to one of the favoured lawful inmates, who will then carelessly saunter or drive an expensive motor car through the difficult portal.

Standing across the street, one may peer through this portal into an avenue of the forbidden city. There is an exciting glimpse of greensward, flowering shrubbery, roses, vines, and a vista of the ends of enormous structures painted yellow. And this avenue is sprightly with the passing of enviable persons who are rightly there, some in alien garb, some in the duller uniform of the humble artisan, some in the pressed and garnished trappings of rich overlords.

It is really best to stand across the street for this clandestine view of heart-shaking delights. If you stand close to the gate to peer past the bulky shape of the warder he is likely to turn and give you a cold look. Further, he is averse to light conversation, being always morosely absorbed—yet with an eye ever alert for intrusive outlanders—in his evening paper. He never reads a morning paper, but has some means of obtaining at an early hour each morning a pink or green evening paper that shrieks with crimson headlines. Such has been his reading through all time, and this may have been an element in shaping his now inveterate hostility toward those who would engage him in meaningless talk. Even in accepting the gift of an excellent cigar he betrays only a bored condescension. There is no relenting of countenance, no genial relaxing of an ingrained suspicion toward all who approach him, no cordiality, in short, such as would lead you to believe that he might be glad to look over a bunch of stills taken by the most artistic photographer in all Simsbury, Illinois. So you let him severely alone after a bit, and go to stand across the street, your neatly wrapped art studies under your arm, and leaning against the trunk of a eucalyptus tree you stare brazenly past him into the city of wonders.