engaged in commercial telegraphing in Atlantic City, N. J., in Detroit, Mich., in Washington, D. C., and in the Western Union office in Columbus, Ohio. In that city she was engaged in the most
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ELLA MAYNARD KELLEY.
difficult work, such as sending the heavy reports of conventions and legislative sessions and the important political contests connected with them. For the past three years she has been in charge of the first wire of the Associated Press circuit. The most expert operators all over the country are employed on that circuit, and she commands a salary equal to that of any of the others for especially difficult work. She is the only woman employed on that wire. She is also the first woman who used the typewriter in the telegraphic service.
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CLARA LOUISE KELLOGG.
KELLOGG, Clara Louise, operatic singer, born in Sumterville, S. C., 12th July, 1842. She is a daughter of the well-known inventor, George Kellogg. Her childhood was spent in Birmingham, Conn. She received a good education and showed her musical talents at an early age. At the age of nine months she could hum a tune correctly, and the quickness and accuracy of her ear astonished the musicians. Her mother, a clairvoyant doctor, was a fine musician, and Clara, the only child, inherited her talents. In 1856 the family removed to New York City, where Clara began her musical studies in earnest, with a view to a professional career. She studied both the French and Italian methods of singing. In 1860 she made her debut in the Academy of Music, New York, as Gildain "Rigoletto," winning a modest triumph. In 1864 she won the public by her Marguerite in Gounod's "Faust," which has stood as the greatest impersonation of that role ever seen on the stage. After brilliant successes in this country, Miss Kellogg went to London, Eng., and appeared in Her Majesty's Theater. Her Marguerite there placed her on the topmost crest of the popular wave. She sang in the Handel Festival in the Crystal Palace in the same year. In 1868 she returned to the United States and made a concert-tour with Max Strakosch. In 1869 she again sang in Italian opera in New York City, appearing for three consecutive seasons, and always drawing crowded houses. She then organized an opera company to sing, in English. The organization was a success during 1874 and 1875. In one winter Miss Kellogg sang one-hundred-twenty-five nights. In 1876 she organized an Italian opera company, and appeared as Aida and Carmen. After the dissolution of that company she left the operatic stage and sang in concert throughout the country for several years In 1880 she accepted an operatic engagement in Austria, where she sang in Italian with a company of German singers. She extended her tour to Russia and sang in St Petersburg. Her list of grand operas includes forty-five. She is most closely identified with "Faust," "Crispino," "Traviata," "Aida" and "Carmen." Her voice in youth was a high soprano, with a range from C to E flat With age it lost some of the highest notes, but gained greatly in power and richness. She was the first American artist to win recognition in Europe. She has amassed a large fortune. Her latest appearance was on a concert-tour in 1889. She became the wife of Carl Strakosch several years ago and is now living in retirement.
KEMP, Mrs. Agnes Nininger, physician, born in Harrisburg, Pa., 4th November, 1823. She is a daughter of Anthony Nininger, who was a
native of Alsatia, France. He came to America early in 1816. and, marrying Miss Catharine May, settled in Harrisburg, Pa., where, after a useful life, he died in 1868. He left two children, John and Agnes. The mother died when Agnes was nine years old. The child was born a linguist The French and German tongues seemed as natural to her as her own. While but a mere girl in years, she became the wife of Col. William Saunders, and
