in Rochester, and was immediately placed on the board of managers of that order. She was made a member of the board of managers of the first State Woman's Christian Temperance Union, established in Syracuse, and was one of a committee sent from that convention to appeal to the Albany legislature for temperance laws. As a lecturer she was decidedly successful, but, in spite of the earnest solicitation of friends, she resigned the field to devote herself to domestic lift. For a few years she lived in St. Augustine, Fla., during which time she published a volume of poems entitled "Magnolia Leaves" (Buffalo, 1890). Some of the choicest poems of the "Arbor Day Manual" are from her pen. She has contributed to the "Magazine of Poetry " and now expends her literary work on poems and short stories. She lives in Duluth, Minn., where her husband and only son are engaged in the law.
RUGGLES, Miss Theo Alice, sculptor, born in Brookline, Mass., 27th January, 1871. As a child she took delight in modeling in clay,
expressing an admiration for form and beauty that attracted the attention of her parents to her talent.
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THEO ALICE RUGGLES.
At the age of fourteen she modeled a "Reclining Horse" in snow in the door-yard of her home, and crowds of visitors went out to Brookline from Boston to see the wonderful work of the little girl.
In 1886 she was placed under the instruction of Henry Hudson Kitson, the sculptor. In the autumn of 1887 she went to Paris, France, with her mother, where she remained during the following three years, working and studying under the guidance of Mr. Kitson, pursuing at the same time the study of drawing under Dagnan-Bouveret, Blanc and Courtois. Her first work, a bust of an Italian child, made in Boston, was exhibited, together with a bust of "A Shepherd Lad," in the Paris Salon of 1888, where each succeeding year during her stay her work was readily accepted. In the International Exposition of 1889 she received honorable mention for a life-sized statue of a boy, entitled "Aux Bords de l'Oise," and the same honor was accorded to her in the Paris Salon of 1890 for her " Young Orpheus." She had the distinction of being the youngest sculptor to whom any award had ever been granted. She has won two medals from the Massachusetts Charitable Mechanics' Exposition of Boston, in which city she continues her art work. She is the daughter of C. W. Ruggles, a well-known business man of Boston, and she lives with her parents in the Back Bay. She is descended from an old English family, who settled in America in the seventeenth century. An industrious, unpretentious worker, quiet, swift, modest, she has the character of a true artist
RUNCIE, Mrs. Constance Faunt Le Roy, poet, pianist and musical composer, born in Indianapolis, Ind., 15th January, 1836. She is a daughter of Robert Henry Faunt Le Roy and Jane Dale Owen Faunt Le Roy. On the maternal side she is a granddaughter of Robert Owen, the great advocate of cooperative associations. Her maternal great-grandfather was David Dale, Lord-Provost of Glasgow, Scotland. Her father was a member of the well-known Faunt Le Roy family of eastern Virginia. Her mother was born in Scotland and educated in London, where she received, in addition to her scientific and literary attainments, a thorough training on piano and harp and acquired facility in drawing and painting. Her father died while attending to his coast survey duties, in the Gulf of Mexico, during the winter of 1849.
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CONSTANCE FAUNT LE ROY RUNCIE.
In 1852 Mrs. Faunt Le Roy, in order to develop still further the talents of her children by giving them the advantages of modern languages, German literature and art, took them to Germany and remained there six years. Miss Faunt Le Roy's environment was highly favorable. Her home was in New
