seurs. The next year she sent three others, "Animals in
a Pasture," "A Cow Lying in a Meadow," and "A Horse
for Sale." She continued to send pictures to the Salon
and to some exhibitions in other cities, and received several bronze and silver medals.
In 1845 she sent twelve works to the Salon, accompanied by those of her father and her brother Auguste, who was admitted that year for the first time. In 1848 Isidore was added to the list, exhibiting a picture and a group in marble, both representing " A Combat between a Liones3 and an African Horseman." And, finally, the family contributions were completed when Juliette, now Madame Peyrol, added her pictures, and the works of the five artists were seen in the same Exhibition.
In 1849 Rosa Bonheur's "Cantal Oxen" was awarded the gold medal, and was followed by "Ploughing in the Nivernais," so well known the world over by engravings and photographs. When the medal was assigned her, Horace Vernet proclaimed her triumph to a brilliant assemblage, and also presented to her a magnificent vase of Sevres porcelain, in the name of the French Government. This placed her in the first rank of living artists, and the triumph was of double value to her on account of the happiness it afforded her father, to see this, his oldest child, of whose future he had often despaired, taking so eminent a place in the artistic world.
This year of success was also a year of sorrow, for before its end the old Raymond had died. He had been for some time the director of the Government School of Design for Girls, and, being freed from pecuniary anxiety,
