Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/214

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WOMEN IN THE FINE ARTS
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married and resided in Naples. Several of her letters are in existence. They tell of the manner of her life and give an interesting picture of Neapolitan society in her day.

Gessler de Lacroix, Alejandrena—known in art circles as Madame Anselma. Gold medal at Cadiz, 1880. Honorary member of the Academy of Cadiz. She has spent some years in Paris, where her works are often seen in exhibitions. Her medal picture at Cadiz was an "Adoration of the Cross." One of her most successful works is called "The Choir Boys."

Giles, Miss—Mrs. Bernard Jenkin. This sculptor exhibited a life-size marble group, called " In Memoriam," at the Royal Academy in 1900, which attracted much attention. It was graceful in design and of a sympathetic quality. At an open competition in the London Art Union her "Hero" won the prize. In 1901 she exhibited an ambitious group called "After Nineteen Hundred Years, and still They Crucify." It was excellent in modelling, admirable in sentiment, and displayed strength in conception and execution.

Ginassi, Caterina. Born in Rome, 1590. This artist was of noble family, and one of her uncles, a Cardinal, founded the Church of Santa Lucia, in which Caterina, after completing her studies under Lanfranco, painted several large pictures. After the death of the Cardinal, with money which he had given her for the purpose, Caterina founded a cloister, with a seminary for the education of girls.

As Abbess of this community she proved herself to be