ist, and later of Chaplin. She first exhibited at the Salon of 1864, a "Portrait of Madame, the Baroness." She
has painted many portraits, and is extremely successful in her pictures of flowers and fruit.
Among her principal works are "Diana and Her Dog," "Going out of Church," "Ophelia," "Sleep," "The Fall of the Leaves," and " Manon."
She has also painted many pictures in water-colors. Since 1890 she has exhibited at the Champ-de-Mars. Her illustrations in water-colors for "L’Abbé Constantin" and for an edition of "Flirt" are very attractive. Her "Roses" at the Salon of 1903 were especially fine, so fresh and brilliant that they seemed to be actual blossoms.
This artist, not many months ago, called to mind the celebrated Greek supper of Mme. Lebrun, which was so famous in the time of that artist. The following is an account of the entertainment given by Mme. Lemaire:
"A most fascinating banquet was given in Paris quite recently by Madeleine Lemaire, in her studio, and Parisians pronounce it the most artistic fête that has occurred for many a moon. Athens was reconstructed for a night. A Greek feast, gathering at the same board the most aristocratic moderns, garbed in the antique peplum, as the caprice of a great artist. The invitation cards, on which the hostess had drawn the graceful figure of an Athenian beauty, were worded: ’A Soirie in Athens in the Time of Pericles. Madeleine Lemaire begs you to honor with your presence the Greek fête which she will give in her humble abode on Tuesday. Banquet, dances,
