Robusti, better known as "Il Tintoretto," who has been called "the thunder of art," and who avowed his ambition to equal " the drawing of Michael Angelo and the coloring of Titian."
The portrait of Marietta Robusti proves her to have been justly celebrated for her beauty. Her face is sweet and gentle in expression. She was sprightly in manner and full of enthusiasm for anything that interested and attracted her; she had a good talent for music and a charming voice in singing.
Her father's fondness for her made him desire her constant companionship, and at times he permitted her to dress as a boy and share with him certain studies that she could only have made in this disguise. Tintoretto carefully cultivated the talents of his daughter, and some of the portraits she painted did her honor. That of Marco dei Vescovi first turned public attention to her artistic merits. The beard was especially praised and it was even said by good judges that she equalled her father. Indeed, her works were so enthusiastically esteemed by some critics that it is difficult to make a just estimate of her as an artist, but we are assured of her exquisite taste in the arrangememt of her pictures and of the rare excellence of her coloring.
It soon became the fashion in the aristocratic circles of Venice to sit for portraits to this fascinating artist. Her likeness of Jacopo Strada, the antiquarian, was considered a worthy gift for the Emperor Maximilian, and a portrait of Marietta was hung in the chamber of his Majesty. Maximilian, Philip II. of Spain, and the Archduke Ferdi-
