been thought to be that of a man, which idea is no doubt partly due to her choosing subjects from the lives of working men. She is of the modern school of colorists.
Wright, Ethel. This artist contributed annually to the exhibitions of the London Academy from 1893 to 1900, as follows: In 1893 she exhibited "Milly " and "Echo"; in 1894, "The Prodigal"; in 1895, a water-color, "Lilies"; in 1896, "Rejected "; in 1897, a portrait of Mrs. Laurence Phillips; in 1898, " The Song of Ages," reproduced in this book; in 1899, a portrait of Mrs. Arthur Strauss; and in 1900, one of Miss Vaughan.
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Wright, Mrs. Patience. Born at Bordentown, New Jersey, 1725, of a Quaker family. When left a widow, with three children to care for, she went to London, where she found a larger field for her art than she had in the United States, where she had already made a good reputation as a modeller in wax. By reason of this change of residence she has often been called an English sculptress.
Although the imaginative and pictorial is not cultivated or even approved by Quakers, Patience Lovell, while still a child, and before she had seen works of art, was content only when supplied with dough, wax, or clay, from which she made figures of men and women. Very early these figures became portraits of the people she knew best, and in the circle of her family and friends she was considered a genius.
Very soon after Mrs. Wright reached London she was
