Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/72

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WOMEN IN THE FINE ARTS
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no picture could worthily figure the royal lady, and added: "If it were possible to represent to your Holiness the beauty of the Queen's soul, you could behold nothing more wonderful."

The Pope bestowed rich gifts on Sofonisba, among which were sacred relics, set with gems. He also wrote an autograph letter, still in existence, in which he assured her that much as he admired her skill in painting, he had been led to believe this the least of her many gifts.

Sofonisba soon gained the approval of the serious and solemn King, for while Philip was jealous of the French ladies of the court and desired Isabella to be wholly under Spanish influence, he proposed to the artist a marriage with one of his nobles, by which means she would remain permanently in the Queen's household. When Philip learned that Sofonisba was already betrothed to Don Fabrizio de Mongada—a Sicilian nobleman—in spite of his disappointment he joined Isabella in giving her a dowry of twelve thousand crowns and a pension of one thousand.

It would seem that one who could so soften the heart and manners of Philip II. as did Queen Isabella, must have had a charm of person and character that no ordinary mortal could resist. One is compelled to a kindly feeling for this much-hated man, who daily visited the Queen when she was suffering from smallpox. In her many illnesses he was tenderly devoted to her, and when we remember the miseries of royal ladies whose children are girls, we almost love Philip for comforting Isabella when her first baby was not a son. Philip declared him-