Page:Women in the Fine Arts From the Seventh Century B.C. to the Twentiet.djvu/95

This page has been proofread, but needs to be validated.
34
WOMEN IN THE FINE ARTS


and landscape painter. In 1863 she went to Dresden, and studied figure work with Professor Ehrhardt; later she moved to Düsseldorf, where she devoted herself to landscape under Flamm, and in 1866 she settled in Munich, where she has since remained, making long visits to Paris, Venice, and parts of Switzerland. Her later work is marked by the romantic influence of C. Ludwig, who was for a time her instructor, but she shows unusual breadth and sureness in dealing with difficult subjects, such as dusky forests with dark waters or bare ruins bordered with stiff, ghost-like trees. Though not without talent and boldness, she lacks a feeling for style.

Bauerlé, Miss A.

[No reply to circular.]

Baxter, Martha Wheeler.

[No reply to circular,]

Beale, Mary. 1632-97. This artist was the daughter of the Rev. Mr. Cradock. She married Mr. Beale, an artist and a color-maker. She studied under Sir Peter Lely, who obtained for her the privilege of copying some of Vandyck's most famous works.

Mrs. Beale's portraits of Charles II., Cowley, and the Duke of Norfolk are in the National Portrait Gallery, London, and that of Archbishop Tillotson is in Lambeth Palace. This portrait was the first example of an ecclesiastic represented as wearing a wig instead of the usual silk coif.

Her drawing was excellent and spirited, her color strong