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THE RABBI OF BACHARACH.
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other ornament was to be seen except the gilded iron grating on the square stage, where the extracts from the Law were recited, and the holy coffer, a costly embossed chest, apparently upheld by marble columns with rich capitols, whose flower and leaf-work flourished charmingly, covered with a curtain of violet velvet, on which a pious inscription was worked in gold spangles, pearls, and many-coloured gems. Here hung the silver memorial-lamp, and there also rose a barred dais, on whose crossed iron bars were all kinds of sacred utensils, among the rest the seven-branched candlestick; while before it, his countenance towards the chest, stood the choir-leader or chief singer, whose song was accompanied as if instrumentally by the voices of his two assistants, the bass and soprano. The Jews have forbidden all instrumental music to be used in their Church, thinking that hymns to God are more true in spirit or edifying when they rise from the glowing breast of man, than from the cold pipes of an organ. Beautiful Sara was charmed like any child when the chief singer, an admirable tenor, raised his voice, and the ancient, deep, and solemn melodies which she knew so well bloomed forth in a fresher loveliness than she had ever dreamed of, while the bass murmured in harmony the deep dark notes, while in the pauses the soprano trilled sweetly