and finally descending to the most atrocious crime, or treason to his native land, disgracefully perish, is shown by Shakespeare in his drama entitled Coriolanus.
After Troilus and Cressida, in which our poet took his material from the old Greek heroic time, I take up Coriolanus, because we here see how he understood treating Roman affairs. In this drama he sketches the partisan strife of the patricians and plebeians in ancient Rome.
I will not directly assert that this portrayal agrees exactly in every detail with the annals of Roman history; but our poet has understood and depicted the real life and nature of that strife with deepest truthfulness. We can judge of this the more accurately because our own times afford so many subjects which recall those of the troubled discord which once raged in old Rome between the privileged patricians and the degraded plebeians. We might often deem that Shakespeare was a poet of the present day, who lived in the London of our own life, sketching the Tories and Radicals of our own time disguised as Romans. What might confirm us in such a fancy is the great resemblance which really exists between the ancient Romans and modern Englishmen, and the statesmen of both races. In fact, a certain prosaic hardness, greed, love of blood, unwearying perseverance and firmness of character, is as
