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FLORENTINE NIGHTS.
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out all the more freely with its dazzling eyes, its rouged cheeks, court plaster beauty-patches, and impertinent sweet little nose. She held in her hand a white scroll of paper, and by the movements of her lips, and the coquettish movements of her form, seemed to be singing, but I could not hear one of her trills, and it was only by the playing of the violin with which the youthful Paganini accompanied the charming child that I could imagine what she sang, and what he himself felt in his soul while she sang. Ah! those were melodies such as the nightingale flutes in the twilight, when the perfume of the rose intoxicates her sympathetic heart, inspired by Spring with deepest longing. Ah! that was a melting, voluptuous, deep-desiring happiness! There were tones which kissed, and then, pouting, turned away, and again laughing, embraced and melted together, and then lost, enraptured, intoxicated, died away in one. Yes, the tones mingled in gay sport, like butterflies when one in jest flies from another, hides itself behind a flower, is found and hunted out, and finally, light-hearted and trifling, flutters up with the other—up into the golden sunlight. But a spider—a vile spider—can bring about a dire tragedy for such enamoured butterflies. Did the young heart divine aught like that? A long melancholy sighing tone, like the premonition of a coming evil, slid slowly through