upon story-telling, but upon life. One French commentator cries with profound admiration that Verne "wholly changed the conversation of the drawing-rooms." Another, with perhaps broader understanding, declares that he revolutionized the thought of the young men of his earlier days. "He taught us that the forces of nature, enemies to man in his ignorance, stood ready to be our servants once we had learned to master and control them."
For a writer so much read, Jules Verne has been very little talked about. His personality became submerged in his work. Moreover he was not a Parisian, not a member of the mutual admiration club which exists perforce in every artistic center, where the same little circle of able men constantly meeting, and writing one about the other, impress all their names upon the public. Verne early with-drew from the turmoil and clamor of the French capital to dwell in peace at Amiens. To ignore Paris, to withdraw deliberately from its already
Verne's Tower Workroom
won caresses! Could any crime have been more heinous in Parisian eyes? It explains the rancor of at least some of the French critics in their attitude toward our author.
Known thus only through his books, yet by them known
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