trol it or fly from it, and he felt a kind of intoxication entering his own brain. All his physical and emotional faculties increased in intensity. He was seen, several times, to throw himself upon the confectionery and devour the dishes, as if he had just broken a long fast.
The animation of the ball was increasing all this while. A long murmur, like a dull buzzing, escaped from all breasts. They danced—really danced. The feet were agitated by increasing frenzy. The faces became as purple as that of Silenus. The eyes shone like carbuncles. The general fermentation rose to the highest pitch.
And when the orchestra thundered out the waltz in "Der Freischutz,"—when this waltz, so German, and with a movement so slow, was attacked with wild arms by the musicians,—ah! it was no longer a waltz, but an insensate whirlwind, a giddy rotation, a gyration worthy of being led by some Mephistopheles, beating the measure with a firebrand! Then a galop, an infernal galop, which lasted an hour without any one being able to stop it, whirled off, in its windings, across the halls, the drawing-rooms, the antechambers, by the staircases, from the cellar to the garret of the opulent mansion, the young men and young girls, the fathers and mothers, people of every age, of every weight, of both sexes; Collaert, the fat banker, and Madame Collaert, and the counselors, and the magistrates, and the chief justice, and Niklausse, and Madame Van Tricasse, and the Burgomaster Van Tricasse, and the Commissionary Passauf himself, who never could recall afterwards who had been his partner on that terrible evening.
But she did not forget! And ever since that day she has seen in her dreams the fiery commissary, enfolding her in an impassioned embrace! And "she"—was the amiable Tatanemance.
