of his trousers, fashion of his broad-brimmed steeple-hat, and so forth, we might report, but do not. The Wisest truly is, in these times, the Greatest; so that an enlightened curiosity, leaving Kings and suchlike to rest very much on their own basis, turns more and more to the Philosophic Class: nevertheless, what reader expects that, with all our writing and reporting, Teufelsdröckh could be brought home to him, till once the Documents arrive? His Life, Fortunes, and Bodily Presence, are as yet hidden from us, or matter only of faint conjecture. But, on the other hand, does not his Soul lie enclosed in this remarkable Volume, much more truly than Pedro Garcia's did in the buried Bag of Doubloons? To the soul of Diogenes Teufelsdröckh, to his opinions, namely, on the 'Origin and Influence of Clothes,' we for the present gladly return.
CHAPTER IV
CHARACTERISTICS
Teufelsdröckh and his Work on Clothes: Strange freedom of speech; transcendentalism; force of insight and expression; multifarious learning: Style poetic, uncouth: Comprehensiveness of his humour and moral feeling. How the Editor once saw him laugh. Different kinds of Laughter and their significance.
It were a piece of vain flattery to pretend that this Work on Clothes entirely contents us; that it is not, like all works of genius, like the very Sun, which, though the highest published creation, or work of genius, has nevertheless black spots and troubled nebulosities amid its effulgence,—a mixture of insight, inspiration, with dulness, double-vision, and even utter blindness.
Without committing ourselves to those enthusiastic praises and prophesyings of the Weissnichtwo'sche Anzeiger, we admitted that the Book had in a high degree excited us to self-activity, which is the best effect of any book; that it had even operated changes in our way of thought; nay, that it
