combination, each Part overlaps, and indents, and indeed runs quite through the other. Many sections are of a debatable rubric, or even quite nondescript and unnameable; whereby the Book not only loses in accessibility, but too often distresses us like some mad banquet, wherein all courses had been confounded, and fish and flesh, soup and solid, oyster-sauce, lettuces, Rhine-wine and French mustard, were hurled into one huge tureen or trough, and the hungry Public invited to help itself. To bring what order we can out of this Chaos shall be part of our endeavour.
CHAPTER V
THE WORLD IN CLOTHES
Futile cause-and-effect Philosophies. Teufelsdröckh's Orbis Vestitus. Clothes first invented for the sake of ornament. Picture of our progenitor, the Aboriginal Savage. Wonders of growth and progress in mankind's history. Man defined as a Tool-using Animal.
'As Montesquieu wrote a Spirit of Laws,' observes our Professor, 'so could I write a Spirit of Clothes; thus, with an Esprit des Lois, properly an Esprit de Coutumes, we should have an Esprit de Costumes. For neither in tailoring nor in legislating does man proceed by mere Accident, but the hand is ever guided on by mysterious operations of the mind. In all his Modes, and habilatory endeavours, an Architectural Idea will be found lurking; his Body and the Cloth are the site and materials whereon and whereby his beautified edifice, of a Person, is to be built. Whether he flow gracefully out in folded mantles, based on light sandals; tower-up in high headgear, from amid peaks, spangles and bell-girdles; swell-out in starched ruffs, buckram stuffings, and monstrous tuberosities; or girth himself into separate sections, and front the world an Agglomeration of four limbs,—will depend on the nature of such Architectural Idea: whether Grecian, Gothic, Later-Gothic, or altogether Modern, and Parisian or Anglo-
