effects it would produce by passion and the spirit of party."
Candide, seeing a Milton, asked the senator if he did not think that author a great man. "Who?" said Pococuranté sharply; "that barbarian who writes a tedious commentary in ten books of rumbling verse, on the first chapter of Genesis? that slovenly imitator of the Greeks, who disfigures the creation, by making the Messiah take a pair of compasses from heaven's armory to plan the world; whereas Moses represented the Deity as producing the whole universe by his fiat? Can I think you have any esteem for a writer who has spoiled Tasso's hell and the devil; who transforms Lucifer sometimes into a toad, and at others into a pygmy; who makes him say the same thing over again a hundred times; who metamorphoses him into a school-divine; and who, by an absurdly serious imitation of Ariosto's comic invention of firearms, represents the devils and angels cannonading each other in heaven? Neither I nor any other Italian can possibly take pleasure in such melancholy reveries; but the marriage of Sin and Death, and snakes issuing from the womb of the former, are enough to make any person sick that is not lost to all sense of delicacy. This obscene, whimsical, and disagreeable poem met with the neglect it deserved at its first publication; and I only treat the author now as he was treated in his own country by his contemporaries."
