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THOMAS CARLYLE AND HIS WORKS.

vers, and apprentices take and spend life, playing all day long, sunning themselves, shading themselves, eating, drinking, sleeping, we think that the philosophy of their life written would be such a level natural history as the Gardener's Calendar and the works of the early botanists, inconceivably slow to come to practical conclusions.

There is no philosophy here for philosophers, only as every man is said to have his philosophy. No system but such as is the man himself; and, indeed, he stands compactly enough; no progress beyond the first assertion and challenge, as it were, with trumpet blast. One thing is, certain,—that we had best be doing something in good earnest henceforth forever; that 's an indispensable philosophy. The before, impossible precept, "know thyself" he translates into the partially possible one, "know what thou canst work at." Sartor Resartus is, perhaps, the sunniest and most philosophical, as it is the most autobiographical of his works, in which he drew most largely on the experience of his youth. But we miss everywhere a calm depth, like a lake, even stagnant, and must submit to rapidity and whirl, as on skates, with all kinds of skilful and antic motions, sculling, sliding, cutting punch-bowls and rings, forward and backward. The talent is very nearly equal to the genius. Sometimes it would be preferable to wade slowly through a Serbonian bog, and feel the juices of the meadow.

Beside some philosophers of larger vision, Carlyle stands like an honest, half-despairing boy, grasping at some details only of their world systems. Philosophy, certainly, is some account of truths, the fragments and very insignificant parts of which man will practise in this workshop; truths infinite and in harmony with infinity; in respect to which the very objects and ends of the so--