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PEREZ

ing intonation, and swaying to and fro with a series of nervous jerks. Some of the words he swallows, others he draws out; now he snaps at a word, and now he skips it; some he accentuates and dwells on lovingly, others he rattles out with indifference, like dried peas out of a bag. And never quiet for a moment. First he draws from his pocket a once red and whole handkerchief, and wipes his nose and brow, then he lets it fall into his lap, and begins twisting his earlocks or pulling at his thin, pointed, faintly grizzled beard. Again, he lays a pulled-out hair from the same between the leaves of his book, and slaps his knees. His fingers coming into contact with the handkerchief, they seize it, and throw a corner in between his teeth; he bites it, lays one foot across the other, and continually shuffles with both feet.

All the while his pale forehead wrinkles, now in a perpendicular, now in a horizontal, direction, when the long eyebrows are nearly lost below the folds of skin. At times, apparently, he has a sting in the chest, for he beats his left side as though he were saying the Al-Chets. Suddenly he leans his head to the left, presses a finger against his left nostril, and emits an artificial sneeze, leans his head to the right, and the proceeding is repeated. In between he takes a pinch of snuff, pulls himself together, his voice rings louder, the chair creaks, the table wobbles.

The child does not wake; the sounds are too familiar to disturb it.

And she, the wife, shrivelled and shrunk before her time, sits and drinks in delight. She never takes her