THE OLDEST AND LARGEST REVIEW IN THE ENGLISH LANGUAGE
DEVOTED TO POETRY AND DRAMA
World Literature & the Drama
The Lantern, A Play in Four Acts
By Alois Jirasek
The Mermaid Tavern in Fact and Fiction
By Willis K. Jones
Grown-Up Children, A One Act Play
By Mattie F. Simonds
Expressionism in Germany
By Edwin H. Zeydel
(Complete Contents on Inside Cover)
Richard G. Badger, Publisher
McAinsh & Co., Limited, Toronto, Canada.
100 Charles Street, Boston, U.S.A.
Editors CHARLOTTE PORTER, HELEN A. CLARKE, RUTH HILL | ||
AUTUMN, 1925 | ||
The Lantern, A Play in Four Acts | Alois Jirasek | 317 |
Authorised Translation from the Bohemian by Zdenka Buben and George Rapall Noyes Verses by Dorothea Prall | ||
The Fallen | Stephen Berrien Stanton | 398 |
The Choice of Giannetta, A One Act Play | Allita E. Applegate | 405 |
The Poetry of Dafydd Ab Gwilym | E. C. Knowlton | 415 |
Grown-Up Children | Mattie F. Simonds | 434 |
The Mermaid Tavern in Fact and Fiction | Willis K. Jones | 441 |
The Season’s Suspense | Stephen Berrien Stanton | 449 |
The Queen Comes to Pray, A Play in One Act | John Francis McDermott, Jr. | 450 |
“Problem” and “Thesis” | Clarendon Ross | 457 |
Four Translations from Theophile Gautier | Emanuel Eisenberg | |
Posthumous Coquetry | 460 | |
To A Pink Gown | 461 | |
Smoke | 462 | |
The Pleasant Evening | 462 | |
My Mayflower | Stephen Berrien Stanton | 464 |
The Journey | Joseph Upper | 465 |
Nostalgia | J. Corson Miller | 467 |
The Dower Rug | Maud Murat O’Dair | 468 |
Sonnets of the Holy Land | Mary Brent Whiteside | |
A Donkey Boy of Haifs | 471 | |
The Street of David | 471 | |
Bethesda | 472 | |
Jerusalem | 472 | |
Return | Thomas Hornsby Ferril | 474 |
NOTICE TO SUBSCRIBERS | ||
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A MAGAZINE OF LETTERS
EDITED BY
AUTUMN NUMBER
VOLUME XXXVI
RICHARD G. BADGER
THE POET LORE COMPANY
BOSTON MCMXXV
COPYRIGHT 1925, BY THE POET LORE COMPANY
All Rights Reserved
Printed in the United States of America
THE GORHAM PRESS, BOSTON, U. S. A.
This work is in the public domain in the United States because it was published before January 1, 1929.
This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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