ON a gray winter morning early in the year 1912, the Tolliver family stood on the platform of the Town station, a dirty affair covered with soot and shameful in a community so prosperous. There was no new station because none could be built so long as Shane's Castle stood upon the only site worthy of so grandiose a building as the Town had planned. The old woman was dead but her daughter Lily refused to sell, and Hattie Tolliver, standing now on the platform with the air of a field marshal surrounded by his troops, took satisfaction in this knowledge. Her family was on the retreat now before the onslaught of the Mills and she herself stood in command of the tiny rear guard.
"They'd give a lot for that land," she remarked to her husband. "I hope Lily will keep it. She doesn't need the money."
It was her parting shot at the Town. She stood now, free of it forever, surrounded by her husband, her son Robert and the everlasting Gramp. There was money in her pocket, money which Aunt Julia had left her, and so there were no perils ahead for a little time at least. And in her heart there were no qualms over leaving the place in which she had been born and lived a life filled with petty cares and worries. She regarded it, on the contrary, as a malignant desert from which two of her children had fled as soon as they were able, a pest-hole filled with factories and furnaces which had ruined her husband and forced her into poverty. She left nothing behind her for which she had the faintest affection; for the dog was dead long since of old age. Out of a family whose founder had settled the wilderness on this spot, only one remained . . . the hard and pious Eva Barr. They were all gone, the uncles, the brothers, the cousins, the sisters . . . all of them . . . dead now or gone out into the world.
Of this world, her ideas were still somewhat vague, for she never had been outside the borders of the state: it was perhaps a great, roaring place full of adventure, or again it might be very much like the county. It really made very little difference; she was free now, with money in her pocket, setting out at last in pursuit of her children.
A little way off, wrapped in a shawl and the coonskin coat, Gramp Tolliver sat peering indifferently through the fog that had settled over the Flats. In the depths of his heart, he respected his enemy. She stood there in command of the party, beside her son and her husband, so self-assured, so utterly fearless of the future. She might have been, he thought, a prophetess, a leader in an Old Testament migration. . . .
Only a week earlier there had been a skirmish between them over the matter of his possessions. Hattie had been for leaving them behind altogether with much of the family stuff; she had been for brushing aside carelessly all his shelves of books, his beloved rocking chair and the ponderous, antiquated desk. He would, she told him, be able to find all the books he wanted in the libraries of so great a city as New York. (As if, indeed, books out of libraries were the same as his own in which he had written along the borders such remarks as "excellent," "penetrating," or "tosh," and "rubbish"!)
Gramp had learned long ago the great power which lay in simple inertia; by taking no course of action, one became the possession of other people. He knew that they could not cast him aside like a piece of old furniture. He was a relative, a father; and one could not abandon a father. So he waited, and when Hattie threatened not to send his books and chair and desk along with him, he had refused to go at all and threatened her wickedly with the awful scandal of staying behind and entering the poorhouse. He knew the keeper well, he said (lying) and there at least they would let him keep his books.
In the end he had won. The desk, the rocking chair, and ten cases of books had been shipped ahead. With those things he would be content. He would be able again to raise his sanctum somewhere among the buildings of New York.
"The train is late," observed Hattie with irritation. "Why is it that it is never on time?"
She spoke with the air of an experienced traveler,—Hattie who had never been outside the state. She begrudged every moment that she stayed in the Town as a moment which kept her out of the future.
Bidding her not to worry and observing that eventually the train would come as all trains did, her husband turned away and began to walk silently up and down the worn bricks of the platform—the same bricks, he remembered, that he had trod on the night he set out upon his futile pursuit of his daughter.
It was one of those moments which occur sometimes between lover and mistress, between husband and wife, between those who have loved each other for years—a moment when it is impossible for the one to tell the other what is in his heart because it is quite beyond understanding. He could not say to her that he was sad because he was leaving so much that he had loved; she, his own wife who loathed it all so deeply, would think him a little mad. He could not say that he was sad because he would never again see the pleasant farms of the county, never again talk with his cronies of the Grand Circuit and quarrel about Pop Geers and how he had driven his latest race. Never again would he have those long arguments over horses in hotel bars and parlors during racing week, never again see the sap running from the trees in maple sugar time, never again talk with old Bayliss and Judge Wilkins about their Guernseys and Shorthorns. He was leaving a world which, despite all the disappointments it had brought him, he loved. There were friends in this world which it pained him to believe that he would never meet again.
He was lonely in a way he had never known until now.
For a moment, at the far end of the platform, the gentle man halted and fell to regarding his wife and his father with a strange and distant expression, as if they were strangers to him. The one was so restless, the other so indifferent. The one had love only for her children, the other had love for nobody and nothing. No, they could not understand. It was easy for them. . . .
Far off a whistle sounded and he saw his wife hasten for the fifth time to put all the luggage in order and pry old Gramp loose from his throne of indifference upon the baggage truck. At the sight he turned and as he moved, walking slowly toward them over the worn bricks, it occurred to him that it was Ellen whom they were all pursuing and that he was being dragged along with all the others.
He knew then what he had known before—that they would never recapture her. She was gone forever.
From his eminence on the baggage truck old Gramp had been meditating the selfishness of Julia Shane. She had left Hattie a fat sum of money, enough to escape, but she had kept it until she died, allowing Hattie to live for years on the very edge of poverty. Poor Hattie! She never saw the reason; she never understood that the old woman had kept her poor so that she might have her by her side as illness and old age claimed her. It was poverty that gave Julia Shane possession over her niece, and she had guarded the possession until the day her will was read, long after she had grown cold in her grave on the bleak hill above the Town. She was beyond help from Hattie now, and so, when she could keep her niece no longer, she had set her free.
The train screeched over the crossing, through the mills and into the station and Hattie, all agitation and worry now, jarred the old man loose from his meditation and steered him in the direction of their car.
Five minutes passed and the great locomotive with a series of demoniacal snorts pulled the train out of the station into the unknown. It carried an old man, a middle-aged woman, her mild husband and a boy. It was the last time that any of them ever saw the Town that bore the name of Hattie's grandfather.