THEY were married a month before the armistice, quietly with only Monsieur de Cyon and Lily and Jean and Hattie at the ceremony. It was the family once more (the remnants of the vigorous family which had once filled the drawing-room at Shane's Castle) which dominated all else in fitting fashion at such events as births and deaths and weddings. Thérèse was not present, for Ellen had decided quickly and there was not time for her to return from New York. Nor was Rebecca there. A week before the wedding there had been a scene in which Rebecca played all her cards in a forlorn hope of winning the game against Callendar. She had told Ellen that she herself was a Jewess and knew what men like Callendar were like. She had told her that he was cruel and domineering and that all his patience, all his quiet aloofness only covered the steel of a will which she would come in time to know too well. She said that in the end he would do his best to destroy her, not alone as a musician but as a woman. And Ellen listened quietly, secure against it all in the knowledge of the new duty that lay before her. It was not until Rebecca in a perfect debauch of fury screamed at her, "He is marrying you only to break your will . . . to destroy you. It is that which lies behind it all. . . . A conflict. . . . I know. . . . A conflict. He has wanted it all these years," that Ellen grew white and terrifying and told her to go.
"I never want to see you again," she said. "I am grateful for what you have done, but you cannot arrange all my life for me. What you say is a lie. . . . It isn't true. You say it all because you can no longer plan my whole life."
So Rebecca had gone, her bright ferret eyes red and savage. On the long stairs she met Callendar coming in but she did not so much as glance at him. In her heart she had not yet yielded the victory. She would defeat him in the end. She would let him defeat himself, for she knew he was certain to do it.
It was de Cyon himself who arranged the transfer of Callendar to the African service, and so it happened that they went to Tunis for the honeymoon to a villa on the outskirts of the city which belonged to one of Thérèse's Greek cousins, a man who served as head of the Mediterranean banks of Leopopulos et Cie. Ellen wrote to them regularly, letters which were like all the others she had ever written her mother since that first one from the Babylon Arms, restrained, careful and filled with a host of details from which one could gather nothing, and at the end always the same comment on the weather and the beauty of their garden with a brief line to the effect that "we are well and happy."
In the Rue Raynouard, Gramp lived the same life that he had lived for thirty years. He had his books (for Hattie was rich now and expense no longer mattered) and he had his rocking chair placed absurdly among the Empire furniture of the room which Lily had given him. Nothing had changed save that his windows looked out upon a garden laid out by Le Nôtre and that he could hear the whistles of the boats on the Seine and that he went sometimes afoot on solitary expeditions through the neighboring streets, once as far as the Invalides. It was his habit to steal away secretly through the gate in the garden wall leading into the Rue de Passy. He remained inscrutable, uncommunicative and aloof, save with Jean for whom he displayed a fancy. And none of them knew that the thing he was looking for on these solitary meanderings was a youth which had returned to him now with an unearthly clarity, though there were moments when he was childish and could not remember that he was in Paris or what had happened to him only yesterday.
And Hattie, living now with Lily, began slowly to regain her interest in life. She took to inspecting the big house room by room to see that it was properly cared for; she quarreled in a stifled, incoherent fashion with Augustine and the other servants; she fussed about the garden, insensible to its beauty, and interested only in its order. She even undertook after a time to do the marketing herself when she discovered with horror that the shopkeepers paid old Mélanie the housekeeper a commission on what she purchased.
So Lily, for a third time, turned over the possession of her house to another. Madame Gigon had once treated it as her own and after her César and Ellen had quarreled over it. And now, willingly, she delivered it into the keeping of Hattie who had greater need of it than any of the others. She told the servants that they must not mind Madame Tolliver's eccentric behavior and she made up to old Mélanie the amount of her commissions. But even if she had not done these things, they would not have left her, for Lily understood servants and had a way with them. Old Mélanie had been with her for more than twenty years, since Lily had come to Madame Gigon, a little frightened but resolved, none the less, never to marry Jean's father.