Scientific American/Series 1/Volume 1/Issue 1/Portrait Painting
Portrait Painting.—A portrait painter in large practice might write a pretty book on the vanity and singularity of his sitters. A certain man came to Copely, and had himself, his wife and seven children all included in a family piece. "It was, but one thing." said he, "and that is the portrait of my first wife—for this one is my second." "But," said the artist, "she is dead you know sir; what can I do? she is only to be admitted as an angel." "Oh, no! not at all," answered the other; "she must come in as a woman—no angels for me." The portrait was added, but some time elapsed before the person came back; when he returned, he had a stranger lady on his arm. "I must have another case of your hand, Copely," he said; "an accident befell my second wife; this lady is my third and she is come to have her likeness included in the family picture." The painter complied—the likeness was introduced—and the husband looked with a glance of satisfaction on his three spouses. Not so the lady, she remonstrated; never was such a thing heard of—out her predecessors must go. The artist painted them out accordingly, and had to bring an action at law to obtain payment for the portraits which he had obliterated.—Life of Copely, Family Library.