John Eliot was descended from a family of great respectability in Cornwall, and was born on the 20th of April, 1590. After enjoying the best advantages for education which England could afford, and spending some years in foreign travel, he was elected to Parliament at the age of thirty-three, and became one of the most prominent members in the House of Commons under Charles I.
The House embraced at this time, some of the ablest and most learned men of the age, such as Sir Edward Coke, John Hampden, Selden, St. John, Pym, &c. Among these, Sir John Eliot stood pre-eminent for the force and fervor of his eloquence. The general style of speaking at that day was weighty, grave, and sententious, but tinctured with the pedantry of the preceding reign, and destitute of that warmth of feeling which is essential to the character of a great orator. Eliot, Wentworth, and a few others were exceptions; and Eliot especially spoke at times with all the enthusiasm and vehemence of the early days of Greece and Rome.
Hence he was appointed one of the managers of the House when the Duke of Buckingham was impeached in 1626, and had the part assigned him of making the closing argument against the Duke before the House of Lords. This he did with such energy and effect as to awaken the keenest resentment of the Court; so that two days after he was called out of the House, as if to receive a message from the King, and was instantly seized and hurried off by water to the Tower. The Commons, on hearing of this breach of privilege, were thrown into violent commotion. The cry "Rise!" "Rise!" was heard from every part of the hall. They did immediately adjourn, and met again only to record their resolution, "Not to do any more business until they were righted in their privileges." This decisive measure brought the government to a stand, and reduced them to the humiliating necessity of releasing Sir John Eliot, and also Sir Dudley Diggs, another of the managers who had been arrested on the same occasion. Eliot and his companion returned in triumph to the House, which voted that "they had not exceeded the commission intrusted to them."
In consequence of this defeat, and the backwardness of the Commons to grant the supplies demanded, Charles soon after dissolved Parliament, and determined to raise money by "forced loans." Great numbers resisted this imposition, and among them Eliot and Hampden, who, with seventy-six others of the gentry, were thrown into prison for refusing to surrender their property to the Crown; while hundreds of inferior rank were impressed into the army or navy by way of punishment. The King found, however, that with all this violence he could not raise the necessary supplies, and was compelled to call another Parliament within eight months. Eliot, Hampden, and many others who had been lying under arrest, were elected members of the new House of Commons while thus confined in prison, and were released only a few days before the meeting of Parliament.
These violent invasions of the rights of property and person, naturally came up for consideration at an early period of the session. The Commons, as the result of their discussions, framed, on the 27th of May, 1628, that second Great Charter of the liberties of England, the Petition of Right; so called because drawn up, in the humble spirit of the day, in the form of a petition to the King, but having, when ratified by his concurrence, all the authority of a fundamental law of the kingdom. This document was prepared by Sir Edward Coke at the age of seventy-eight, and was one of the last public acts of that distinguished lawyer. It provided, that no loan or tax might be levied but by consent of Parliament; that no man might be imprisoned but by legal process; that soldiers might not be quartered on people contrary to their wills; and that no commissions be granted for executing martial law. On the 2d of June, Charles returned an evasive answer, in which he endeavored to satisfy the Commons without giving a legal and binding assent to the petition. The next day, Sir John Eliot made the following speech. It breathes throughout, that spirit of affection and reverence for the King's person which was still felt by both houses of Parliament. It does not dwell, therefore, on those recent acts of arbitrary power in which the King might be supposed to have reluctantly concurred; and the fact is a striking one, that Eliot does not even allude to his late cruel imprisonment, a decisive proof that he was not actuated by a spirit of personal resentment. The entire speech was directed against the royal Favorite, the Duke of Buckingham. Its object was, to expose his flagrant misconduct during the preceding ten years, under, the reign of James as well as Charles; and to show that through his duplicity, incompetency, and rash counsels, the honor of the kingdom had been betrayed, its allies sacrificed, its treasures wasted, and those necessities of the King created which gave rise to the arbitrary acts referred to in the Petition of Right. The facts which Eliot adduces in proof, are very briefly mentioned, or barely alluded to, because they were fresh in the minds of all, and had created a burning sense of wrong and dishonor throughout the whole kingdom. They will be explained in brief notes appended to the speech; but, to feel their full force, the reader must go back to the history of the times, and place himself in the midst of the scene.
There is in this speech, a union of dignity and fervor which is highly characteristic of the man. "His mind," says Lord Nugent, "was deeply imbued with a love of philosophy and a confidence in religion which gave a lofty tone to his eloquence." His fervor, acting on a clear and powerful understanding, gives him a simplicity, directness, and continuity of thought, a rapidity of progress, and a vehemence of appeal, which will remind the reader of the style of Demosthenes. His whole soul is occupied with the subject. He seizes upon the strong points of his case with such absorbing interest, that all those secondary and collateral trains of thought with which a speaker like Burke, amplifies and adorns the discussion, are rejected as unworthy of the stern severity of the occasion. The eloquence lies wholly in the thought; and the entire bareness of the expression, the absence of all ornament, adds to the effect, because there is nothing interposed to break the force of the blow. The antique air of the style heightens the interest of the speech; and will recommend it particularly to those who have learned to relish the varied construction and racy English of our early writers.