Sleeping Beauty (Howard)

For works with similar titles, see Sleeping Beauty.

Scene IEdit

A special train, a chair car, occupied by students. An upperclassman is attempting to sleep.

Upperclassman: “Things have quieted down and I’ll get a chance for a nap.”

He dozes.

A class-mate: “Hey, wake up! All out for Hunkusville!”

Upperclassman: “Aw, set on a tack.” He dozes.

A Freshman begins blowing a horn.

Upperclassman: “Enough is too darned much!” He chases all the Freshmen out. He dozes.

Scene IIEdit

Upperclassman is snoring contentedly.

Somebody drops the brsses of the brass drum.

Upperclassman: “Who—what—hey, what time is it?”

The porter: “One-thirty, suh.”

Upperclassman: “Fine. Everybody’s asleep now. Now for a good nap.” He dozes. The train whistles for a station.

Upperclassman: “Curses!” He dozes.

Scene IIIEdit

A few minutes later. A flock of girls come through.

Girls (supposedly singing): “I gotta gal, her name is Lulu! I love Lulu, I love Lulu, darling!”

Upperclassman jumps seven feet out of seat: “Ye gods, what next!”

Girls: “Seventeenth verse, same as the fist, I love Lulu” —exit.

Upperclassman: “Applesauce.” He dozes.

Scene IVEdit

Upperclassman sleeping. Girls return.

Girls, still singing: “Seven hundredth verse, same as the fist, I love Lulu, I love Lulu, darling!”

Upperclassman develops deep and snduring hatred for the name Lulu.

Upperclassman: “Hey, what time is it?”

The porter: “Two-thirty, suh.”

Upperclassman: How much longer before we pull in?”

The porter: “One two hours, suh.”

Girls: “Here’s a nice place to sit; you don’t mind do you?”

They sing: “Eight hundredth verse, same as the first—“

Upperclassman: “No, I don’t mind.” Grinds teeth and bites hunks out of chiar arm.

One hour later.

Girls: “Seven thousandth verse, same as the first, I gotta girl, her name is Lulu, I love Lulu—“

Upperclassman: Conductor, is there no chance at all for a train robbery, hold-ups, murders and all that you know?”

Conductor: “No chance at all, sir.”

Upperclassman: “Darn.”



This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

For Class A renewals records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
For other renewal records of publications between 1922–1950 see the University of Pennsylvania copyright records scans.
For all records since 1978, search the U.S. Copyright Office records.

The author died in 1936, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

Works published in 1926 would have had to renew their copyright in either 1953 or 1954, i.e. at least 27 years after it was first published / registered but not later than in the 28th year. As it was not renewed, it entered the public domain on .