Songs of the Affections, with Other Poems/The Coronation of Inez De Castro

For other versions of this work, see The Coronation of Inez de Castro.
2946533Songs of the Affections, with Other Poems — The Coronation of Inez de CastroFelicia Hemans


THE CORONATION

OF

INEZ DE CASTRO.




Tableau, où l'Amour fait alliance avec la Tombe; union redoutable de la mort et de la vie!
Madame de Stael.




There was music on the midnight;—
    From a royal fane it roll'd,
And a mighty bell, each pause between,
    Sternly and slowly toll'd.
Strange was their mingling in the sky,
    It hush'd the listener's breath;
For the music spoke of triumph high,
    The lonely bell, of death.


There was hurrying through the midnight—
    A sound of many feet;
But they fell with a muffled fearfulness,
    Along the shadowy street:
And softer, fainter, grew their tread,
    As it near'd the minster-gate,
Whence a broad and solemn light was shed
    From a scene of royal state.

Full glow'd the strong red radiance,
    In the centre of the nave,
Where the folds of a purple canopy
    Swept down in many a wave;
Loading the marble pavement old
    With a weight of gorgeous gloom,
For something lay 'midst their fretted gold,
     Like a shadow of the tomb.

And within that rich pavilion,
     High on a glittering throne,

A woman's form sat silently,
    'Midst the glare of light alone.
Her jewell'd robes fell strangely still—
    The drapery on her breast
Seem'd with no pulse beneath to thrill,
    So stonelike was its rest!

But a peal of lordly music
    Shook e'en the dust below,
When the burning gold of the diadem
    Was set on her pallid brow!
Then died away that haughty sound,
    And from the encircling band
Stept Prince and Chief, 'midst the hush profound,
    With homage to her hand.

Why pass'd a faint, cold shuddering
    Over each martial frame,
As one by one, to touch that hand,
    Noble and leader came?

Was not the settled aspect fair?
    Did not a queenly grace,
Under the parted ebon hair,
    Sit on the pale still face?

Death! Death! canst thou be lovely
    Unto the eye of Life?
Is not each pulse of the quick high breast
    With thy cold mien at strife?
—It was a strange and fearful sight,
    The crown upon that head,
The glorious robes, and the blaze of light,
    All gather'd round the Dead!

And beside her stood in silence
    One with a brow as pale,
And white lips rigidly compress'd,
    Lest the strong heart should fail:
King Pedro, with a jealous eye,
    Watching the homage done,

By the land's flower and chivalry,
    To her, his martyr'd one.

But on the face he look'd not,
    Which once his star had been;
To every form his glance was turn'd,
    Save of the breathless queen:
Though something, won from the grave's embrace,
    Of her beauty still was there,
Its hues were all of that shadowy place,
    It was not for him to bear.

Alas! the crown, the sceptre,
    The treasures of the earth,
And the priceless love that pour'd those gifts,
    Alike of wasted worth!
The rites are closed:—bear back the Dead
    Unto the chamber deep!
Lay down again the royal head,
    Dust with the dust to sleep!


There is music on the midnight—
    A requiem sad and slow,
As the mourners through the sounding aisle
    In dark procession go;
And the ring of state, and the starry crown,
    And all the rich array,
Are borne to the house of silence down,
    With her, that queen of clay!

And tearlessly and firmly
    King Pedro led the train,—
But his face was wrapt in his folding robe,
    When they lower'd the dust again.
'Tis hush'd at last the tomb above,
    Hymns die, and steps depart:
Who call'd thee strong as Death, O Love?
    Mightier thou wast and art.