IV
THE PICTURE AND THE STAR
THE letter which gives Julia Robins the history of that Sunday—so eventful alike for France and for Sophy—is the last word of hers from Paris. Julia attached importance to it, perhaps for its romantic flavor, perhaps because she fancied that danger threatened her friend. At any rate, she bestowed it with the care she gave to the later letters, and did not expose it to the hazards which destroyed most of its predecessors. It is dated from Marie Zerkovitch's apartment in the Rue du Bac, and it ends: "I shall stay here, whatever happens—unless Casimir tells me to meet him in Berlin!"
The rash comprehensiveness of "whatever happens" was not for times like those, when neither man nor nation knew what fate an hour held; but for three weeks more she abode with Marie Zerkovitch. Marie was much disturbed in her mind. Zerkovitch had begun to send her ominous letters from the front —or as near thereto as he could get; the burden of them was that things looked bad for the French, and that her hold on Paris should be a loose one. He urged her to go home, where he would join her—for a visit at all events, very likely to stay. Marie began to talk of going home in a week or so; but she lingered on for the sake of being nearer the news of the war. So, amid the rumors of unreal victories and the tidings of reverses only too real, if not yet great, the two women waited.
Casimir had found time and opportunity to send Sophy some half-dozen notes (assuming she preserved all she received). On the 5th of August, the eve of Worth, he wrote at somewhat greater length:
"It is night. I am off duty for an hour. I have been in the saddle full twelve hours, and I believe that, except the sentries and the outposts, I am the only man awake. We need to sleep. The Red Star, which shines everywhere for me, shines for all of us over our bivouac to-night. It must be that we fight to-morrow. Fritz is in front of us, and to-morrow he will come on. The Marshal must stop him and spoil his game; if we don't go forward now, we must go back. And we don't mean going back. It will be the first big clash—and a big one, I think, it will be. Our fellows are in fine heart (I wish their boots were as good!), but those devils over there—well, they can fight, too, and Fritz can get every ounce out of them. I am thinking of glory and of you. Is it not one and the same thing? For, in that hour, I didn't make you sure! I know it. Sophie, I'm hardly sorry for it. It seems sweet to have something left to do. Ah, but you're hard, aren't you? Shall I ever be sure of you? Even though I march into Berlin at the head of a regiment!
"I can say little more—the orderly waits for my letter. Yet I have so much, much more to say. All comes back to me in vivid snatches. I am with you in the old house—or by the Calvaire (you remember?); or again by the window; or while we walked back that Sunday night. I hear your voice—the low, fullcharged voice. I see your eyes; the star glows anew for me. Adieu! I live for you always so long as I live. If I die, it will be in the thought of you, and they will kill no prouder man than Sophie's lover. To have won your love(ah, by to-morrow night, yes!) and to die for France—would it be ill done for a short life? By my faith, no! I'll make my bow to my ancestors without shame. 'I, too, have done my part, messieurs!' say I, as I sit down with my fore-fathers. Sophie, adieu! You won't forget? I don't think you can quite forget. Your picture rides with me, your star shines ahead. Casimir."
He was not wrong. They fought next day. The letter is endorsed "8th August," presumably the date of its receipt. That day came also the news of the disaster. On the nth the casualty list revealed Casimir de Savres's name. A few lines from a brother officer a day later gave scanty details. In the great charge of French cavalry which marked the closing stages of the battle he had been the first man hit of all his regiment—shot through the heart—and through the picture of Sophy which lay over his heart.
No word comes from Sophy herself. And Madame Zerkovitch is brief: "She showed me the picture. The bullet passed exactly through where that mark on her cheek is. It was fearful; I shuddered; I hoped she didn't see. She seemed quite stunned. But she insisted on coming with me to Kravonia, where I had now determined to go at once. I did not want her to come. I thought no good would come of it. But what could I do? She would not return to England; she could not stay alone in Paris. I was the only friend she had in the world. She asked no more than to travel with me. 'When once I am there, I can look after myself,' she said."
The pair—a little fragment of a great throng, escaping or thrust forth—left Paris together on the 13th or 14th of August, en route for Kravonia. With Sophy went the bullet-pierced picture and the little bundle of letters. She did not forget. With a sore wound in her heart she turned to face a future dark, uncertain, empty of all she had loved. And—had she seen Marie Zerkovitch's shudder? Did she remember again, as she had remembered by the Calvaire at Fontainebleau, how Pharos had said that what she loved died? She had bidden Casimir not fight thinking of her. Thinking of her, he had fought and died. All she ever wrote about her departure is one sentence—"I went to Kravonia in sheer despair of the old life; I had to have something new."
Stricken she went forth from the stricken city, where hundreds of men were cutting down the trees beneath whose shade she had often walked and ridden with her lover.