ROBERT MORRIS.
About the year 1837, Ellis Gray Loring, Esq., took into his office, as an errand boy, a colored lad of fifteen years of age. The youngster had a better education than those generally of his age, which showed that he had been attentive at school. He was not long in his new situation ere he began to exhibit a liking for the contents of the sheepskin-covered books that stood around on the shelves, and lay upon the baize-covered tables. Mr. Loring, seeing the aptitude of the lad, inquired if he wanted to become a lawyer, and was answered in the affirmative. From that moment the errand boy became the student, and studied with an earnestness not often equalled. At scarcely twenty-one years of age he was admitted to the Boston bar. This was Robert Morris. With all the prejudice before him, he kept steadily on, resolving that he would overcome the negro-hate which stood in the way of his efforts to prosecute his profession. Gradually he grew in practice, until most of his fellow-members forgot his color in the admiration of his eloquence and business talent. Mr. Morris is of unmixed blood, but not black. Small in stature, a neat figure, smiling face, always dressed with the greatest care, gentlemanly in manner and conversation, his influence has been felt in behalf of his race. He is an interesting speaker, quick in his gestures, ardent in his feelings, and enthusiastic in what he undertakes. He rather inclines to a military life, and has, on more than one occasion, attempted the organization of an independent company.
At the presentation of the portrait of John T. Hilton to the Prince Hall Grand Lodge of Boston, Mr. Morris made a speech, of which the following is an extract:—
"I wish we could point to well-executed likenesses of those old colored heroes of revolutionary memory, who so nobly, patriotically, and willingly, side by side with their white brethren, fought, bled, and died to secure freedom and independence to America.
"It would be a source of continual pleasure could we have in some public room pictures true to life of those intrepid heroes, Denmark Veazie and Nat Turner, whose very names were a terror to oppressors; who, conceiving the sublime idea of freedom for themselves and their race, animated by a love of liberty of which they had been ruthlessly deprived, made an attempt to sever their bonds; and though, in such attempts to open the prison doors of slavery and let the oppressed go free, they were unsuccessful, their efforts and determination were none the less noble and heroic. In the future history of our country, their names to us will shine as brightly as that of the glorious old hero, who, with his colored and white followers, so strategically captured Harper's Ferry, and touched a chord in the life of our country that will vibrate throughout the land, and will not cease until the last fetter has been struck from the limbs of the last bondman in the nation; and though the bodies of these heroes lie mouldering in the clay, their souls are 'marching on.'
"I never visit our 'Cradle of Liberty,' and look at the portraits that grace its walls, without thinking that the selection is sadly incomplete, because the picture of the massacred Crispus Attucks is not there. He was the first martyr in the Boston massacre of March 5, 1770, when the British soldiers were drawn up in line on King (now State) Street, to intimidate the Boston populace. On that eventful day, a band of patriots, led by Attucks, marched from Dock Square to drive the redcoats from the vicinity of the old State House. Emboldened by the courageous conduct of this colored hero, the band pressed forward, and in attempting to wrest a musket from one of the British soldiers, Attucks was shot. His was the first blood that crimsoned the pavement of King Street, and by the sacrifice of his life, he awoke that fiery hatred of British oppression which culminated in the declaration of American independence. At this late day a portrait of this hero cannot be had; but our children will live to see the day when the people of this commonwealth, mindful of their deep and lasting obligation, will, through their legislature, appropriate a sufficient sum wherewith to erect a suitable monument to preserve the memory of Attucks, and mark the spot where he fell."
Mr. Morris deserves great credit for having fought his way up to his present position. Rumor says that his profession has paid him well, and that he is now a man of property. If so, we are glad; for the poet writes, "If thou wouldst have influence, put money in thy purse."