The Golden Violet with its Tales of Romance and Chivalry and Other Poems/Eulalia’s Song

For works with similar titles, see Song (Letitia Elizabeth Landon).

    "Now take the harp, Eulalia mine,
For thy sad song;" and at the sign
Came forth a maiden. She was fair
And young; yet thus can spring-time wear
The traces of far other hour
Than should be on such gentle flower.
Her eyes were downcast, as to keep
Their secret, for they shamed to weep;
Her cheek was pale, but that was lost,
So often the bright blushes cross'd;

And seem'd her mouth so sweet the while,
As if its nature were to smile;
Her very birthright hope,—but earth
Keeps not the promise of its birth.
'T was whisper'd that young maiden's breast
Had harbour'd wild and dangerous guest;
Love had been there,—in that is said
All that of doom the heart can dread.
Oh! born of Beauty, in those isles
    Which far 'mid Grecian seas arise,
They call'd thy mother queen of smiles,
    But, Love, they only gave thee sighs.
She woke the harp: at first her touch
    Seem'd as it sought some lighter strain;
But the heart breathes itself, and such
    As suffer deep seek mirth in vain.


Farewell, farewell, I'll dream no more,
    'T is misery to be dreaming;
Farewell, farewell, and I will be
    At least like thee in seeming.
I will go forth to the green vale,
    Where the sweet wild flowers are dwelling,
Where the leaves and the birds together sing,
    And the woodland fount is welling.
Not there, not there, too much of bloom
    Has spring flung o'er each blossom;
The tranquil place too much contrasts
    The unrest of my bosom.
I will go to the lighted halls,
    Where midnight passes fleetest;

Oh! memory there too much recalls
    Of saddest and of sweetest.
I'll turn me to the gifted page
    Where the bard his soul is flinging;
Too well it echoes mine own heart,
    Breaking e'en while singing.
I must have rest; oh! heart of mine.
    When wilt thou lose thy sorrow?
Never, till in the quiet grave;
    Would I slept there to-morrow!