The Heptalogia (Swinburne)/The Poet and the Woodlouse

A parody of the works of Elizabeth Barrett Browning, completed in 1878.

3452556The Heptalogia — The Poet and the WoodlouseAlgernon Charles Swinburne

THE POET AND THE WOODLOUSE

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THE POET AND THE WOODLOUSE.

Said a poet to a woodlouse—'Thou art certainly my brother;
I discern in thee the markings of the fingers of the Whole;
And I recognize, in spite of all the terrene smut and smother,
In the colours shaded off thee, the suggestions of a soul.

'Yea,' the poet said, 'I smell thee by some passive divination,
I am satisfied with insight of the measure of thine house;
What had happened I conjecture, in a blank and rhythmic passion,
Had the æons thought of making thee a man, and me a louse.

'The broad lives of upper planets, their absorption and digestion,
Food and famine, health and sickness, I can scrutinize and test;
Through a shiver of the senses comes a resonance of question,
And by proof of balanced answer I decide that I am best.

'Man, the fleshly marvel, alway feels a certain kind of awe stick
To the skirts of contemplation, cramped with nympholeptic weight:
Feels his faint sense charred and branded by the touch of solar caustic,
On the forehead of his spirit feels the footprint of a Fate.'

'Notwithstanding which, O poet,' spake the woodlouse, very blandly,
'I am likewise the created,—I the equipoise of thee;
I the particle, the atom, I behold on either hand lie
The inane of measured ages that were embryos of me.

'I am fed with intimations, I am clothed with consequences,
And the air I breathe is coloured with apocalyptic blush:
Ripest-budded odours blossom out of dim chaotic stenches,
And the Soul plants spirit-lilies in sick leagues of human slush.

'I am thrilled half cosmically through by cryptophantic surgings,
Till the rhythmic hills roar silent through a spongious kind of blee:
And earth's soul yawns disembowelled of her pancreatic organs,
Like a madrepore if mesmerized, in rapt catalepsy.

'And I sacrifice, a Levite—and I palpitate, a poet;—
Can I close dead ears against the rush and resonance of things?
Symbols in me breathe and flicker up the heights of the heroic;
Earth's worst spawn, you said, and cursed me? look! approve me! I have wings.

'Ah, men's poets! men's conventions crust you round and swathe you mist-like,
And the world's wheels grind your spirits down the dust ye overtrod:
We stand sinlessly stark-naked in effulgence of the Christlight,
And our polecat chokes not cherubs; and our skunk smells sweet to God.

'For He grasps the pale Created by some thousand vital handles,
Till a Godshine, bluely winnowed through the sieve of thunderstorms,
Shimmers up the non-existent round the churning feet of angels;
And the atoms of that glory may be seraphs, being worms.

'Friends, your nature underlies us and your pulses overplay us;
Ye, with social sores unbandaged, can ye sing right and steer wrong?
For the transient cosmic, rooted in imperishable chaos,
Must be kneaded into drastics as material for a song.

'Eyes once purged from homebred vapours through humanitarian passion
See that monochrome a despot through a democratic prism;
Hands that rip the soul up, reeking from divine evisceration,
Not with priestlike oil anoint him, but a stronger-smelling chrism.

'Pass, O poet, retransfigured! God, the psychometric rhapsode,
Fills with fiery rhythms the silence, stings the dark with stars that blink;
All eternities hang round him like an old man's clothes collapsèd,
While he makes his mundane music—and he will not stop, I think.'