The Man from Snowy River and Other Verses

The Man from Snowy River and Other Verses (1908)
Banjo Paterson, with preface by Rolf Boldrewood

4054957The Man from Snowy River and Other Verses1908Banjo Paterson, with preface by Rolf Boldrewood

THE MAN FROM SNOWY RIVER

AND OTHER VERSES

PRINTED BY

Websdale, Shoosmith & Co.

FOR

ANGUS AND ROBERTSON, Ltd., SYDNEY,

Publishers to the University.

London: Macmillan and Co., Ltd.
Edinburgh: Douglas and Foulis.
Glasgow: James MacLehose and Sons.
Calcutta: Thaeker, Spink and Co.
Bombay: Thacker and Co. Ltd.
Capetown: T. Maskew Miller.

THE MAN FROM SNOWY RIVER AND OTHER VERSES BY A. B. PATERSON ("THE BANJO") WITH PREFACE BY ROLF BOLDREWOOD

SYDNEY

ANGUS AND ROBERTSON, Ltd.

LONDON: MACMILLAN AND CO. LIMITED

1908

Forty-third Thousand

First Edition	Sydney,	17th	Oct.,	1895,	1250	Copies
Second Impression	Sydney,„	1st	Nov.,	1895,	1000	Copies„
Third Impression	Sydney,„	7th	Dec.,	1895,	1000	Copies„
Fourth Impression	Sydney,„	13th	Jan.,	1896,	1750	Copies„
Fifth Impression	London,	17th	Mar.,	1896,	1140	Copies„
Sixth Impression	Sydney,	27th	April,	1896,	1000	Copies„
Seventh Impression	Sydney,„	20th	June,	1896,	2000	Copies„
Eighth Impression	Sydney,„	21st	Oct.,	1896,	2000	Copies„
Ninth Impression	Sydney,„	10th	May,	1897,	1000	Copies„
Tenth Impression	Sydney,„	7th	Oct.,	1897,	1000	Copies„
Eleventh Impression	Sydney,„	10th	Jan.,	1898,	1000	Copies„
Twelfth Impression	London,	20th	Aug.,	1898,	500	Copies„
Thirteenth Impression	Sydney,	24th	Aug.,	1898,	2000	Copies„
Fourteenth Impression	London,	20th	April,	1899,	1360	Copies„
Fifteenth Impression	Sydney,	22nd	May,	1899,	2000	Copies„
Sixteenth Impression	Sydney,„	30th	Sept.,	1900,	5000	Copies„
Seventeenth Impression	London,	30th	Sept.,	1902,	1000	Copies„
Eighteenth Impression	London,„	22nd	Dec.,	1904,	500	Copies„
Nineteenth Impression	London,„	23rd	Feb.,	1906,	1000	Copies„
Second Edition (from new type with slight corrections),	Sydney,	1st	Nov.,	1902,	5000	Copies„
Second Impression	Sydney,„	19th	June,	1906,	5000	Copies„
Third Impression	London,	27th	Mar.,	1908,	1000	Copies„
Fourth Impression	Sydney,	17th	Oct.,	1908,	4500	Copies„

PREFACE

It is not so easy to write ballads descriptive of the bushland of Australia as on light consideration would appear. Reasonably good verse on the subject has been supplied in sufficient quantity. But the maker of folk-songs for our newborn nation requires a somewhat rare combination of gifts and experiences. Dowered with poets heart, he must yet have passed his 'wander jähre' amid the stern solitude of the Austral waste—must have ridden the race in the back-block township, guided the reckless stock-horse adown the mountain spur, and followed the night-long moving, spectral-seeming herd 'in the droving days.' Amid such scarce congenial surroundings comes oft that finer sense which renders visible bright gleams of humour, pathos, and romance, which, like undiscovered gold, await the fortunate adventurer. That the author has touched this treasure-trove, not less delicately than distinctly, no true Australian will deny. In my opinion this collection comprises the best bush ballads written since the death of Lindsay Gordon.

ROLF BOLDREWOOD

A number of these verses are now published for the first time, most of the others were written for and appeared in "The Bulletin" (Sydney, N.S.W.), and are therefore already widely known to readers in Australasia.

A. B. PATERSON

PRELUDE

I have gathered these stories afar,
In the wind and the rain,
In the land where the cattle camps are,
On the edge of the plain.
On the overland routes of the west,
When the watches were long,
I have fashioned in earnest and jest
These fragments of song.

They are just the rude stories one hears
In sadness and mirth,
The records of wandering years,
And scant is their worth
Though their merits indeed are but slight,
I shall not repine,
If they give you one moment's delight,
Old comrades of mine.

CONTENTS
		PAGE
PRELUDE
	I have gathered these stories afar, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	ix
THE MAN FROM SNOWY RIVER
	There was movement at the station, for the word had passed around . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	3
OLD PARDON, THE SON OF REPRIEVE
	You never heard tell of the story? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	10
CLANCY OF THE OVERFLOW
	I had written him a letter which I had, for want of better, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	20
CONROY'S GAP
	This was the way of it, don't you know— . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	23
OUR NEW HORSE
	The boys had come back from the races . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	31
AN IDYLL OF DANDALOO
	On Western plains, where shade is not, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	38
THE GEEBUNG POLO CLUB
	It was somewhere up the country, in a land of rock and scrub—, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	43
THE TRAVELLING POST OFFICE
	The roving breezes come and go, the reed beds sweep and sway, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	47
SALTBUSH BILL
	Now this is the law of the Overland that all in the West obey, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	50
A MOUNTAIN STATION
	I bought a run a while ago, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	56
BEEN THERE BEFORE
	There came a stranger to Walgett town . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	59
THE MAN WHO WAS AWAY
	The widow sought the lawyer's room with children three in tow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	61
THE MAN FROM IRONBARK
	It was the man from Ironbark who struck the Sydney town, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	64
THE OPEN STEEPLECHASE
	I had ridden over hurdles up the country once or twice, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	69
THE AMATEUR RIDER
	Him going to ride for us! Him—with the pants and the eyeglass and all . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	75
ON KILEY'S RUN
	The roving breezes come and go . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	80
FRYINGPAN'S THEOLOGY
	Scene: On Monaro. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	86
THE TWO DEVINES
	It was shearing-time at the Myall Lake, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	88
IN THE DROVING DAYS
	'Only a pound,' said the auctioneer, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	91
LOST
	'He ought to be home,' said the old man, without there's something amiss. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	96
OVER THE RANGE
	Little bush-maiden, wondering-eyed, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	100
ONLY A JOCKEY
	Out in the grey cheerless chill of the morning light, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	102
HOW M'GINNIS WENT MISSING
	Let us cease our idle chatter, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	105
A VOICE FROM THE TOWN
	I thought, in the days of the droving, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	107
A BUNCH OF ROSES
	Roses ruddy and roses white, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	111
BLACK SWANS
	As I lie at rest on a patch of clover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	113
THE ALL RIGHT 'UN
	He came from 'further out,' . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	117
THE BOSS OF THE ADMIRAL LYNCH
	Did you ever hear tell of Chili? I was readin' the other day . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	120
A BUSHMAN'S SONG
	I'm travelling down the Castlereagh, and I'm a station hand, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	125
HOW GILBERT DIED
	There's never a stone at the sleeper's head, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	129
THE FLYING GANG
	I served my time, in the days gone by, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	134
SHEARING AT CASTLEREACH
	The bell is set a-ringing, and the engine gives a toot, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	136
THE WIND'S MESSAGE
	There came a whisper down the Bland between the dawn and dark, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	139
JOHNSON'S ANTIDOTE
	Down along the Snakebite River, where the overlanders camp, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	142
AMBITION AND ART
	I am the maid of the lustrous eyes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	149
THE DAYLIGHT IS DYING
	The daylight is dying . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	153
IN DEFENCE OF THE BUSH
	So you're back from up the country, Mister Townsman, where you went, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	156
LAST WEEK
	Oh, the new-chum went to the back block run, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	160
THOSE NAMES
	The shearers sat in the firelight, hearty and hale and strong, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	162
A BUSH CHRISTENING
	On the outer Barcoo where the churches are few . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	165
HOW THE FAVOURITE BEAT US
	'Aye,' said the boozer, 'I tell you it's true, sir, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	168
THE GREAT CALAMITY
	MacFierce'un came to Whiskeyhurst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	171
COME-BY-CHANCE
	As I pondered very weary o'er a volume long and dreary— . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	174
UNDER THE SHADOW OF KILEY'S HILL
	The boys had come back from the races . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	177
JIM CAREW
	The boys had come back from the races . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	179
THE SWAGMEN'S REST
	We buried old Bob where the bloodwoods wave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	182

This work is in the public domain in the United States because it was published before January 1, 1929.

The longest-living author of this work died in 1941, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

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