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Third Day.

 

 

Ere all the Shades, imprisoned by the tribunal of Night, were liberated by the visit of the Sun, the Prince and his wife, together with the women, returned to the customary spot, to pass pleasantly the hours from morning until dinner-time. Then they summoned the musicians, and began to dance with great delight the 'Roggiero,' 'Villanella,' 'The story of the Ogre,' 'Sfessania,' 'The countryman thrashed,' 'The whole day long with that Dove,' 'Blue-bottle Fly,' 'Nymphs' Dance,' 'The Gipsy,' 'The Coquette,' 'My bright Star,' 'My sweet amorous flame,' 'She whom I seek,' 'The pretty girl and the pretty little girl,' 'Up and down,' 'The Chiaranzana,' 'Take care of him who enamours me,' 'The clouds that skim through the air,' 'The Devil in a shirt,' 'To live upon hope,' 'Change hands,' 'The Cascarda,'[1] 'Spagnoletta,' concluding the dances with Lucia Canazza, to amuse the Slave. Thus the time ran swiftly away, and ere they were aware the dinner-hour had arrived, when there appeared all the good things under heaven, which may perhaps be eaten still. And when the tables were removed, Zeza, who was on thorns of impatience to tell her story, began in the following manner.


  1. 'The Cascade.' Probably some dance in which the couples advance and "cast off,"—as in "Sir Roger de Coverly." Some of these dances are perhaps named from the first line of songs, to the tune of which they were danced. See Notes at the end of this volume.