The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 4/Ode on Venice

1408957The Works of Lord Byron — Ode on VeniceGeorge Gordon Byron

ODE ON VENICE.[1]





I.

Oh Venice! Venice! when thy marble walls
Are level with the waters, there shall be
A cry of nations o'er thy sunken halls,
A loud lament along the sweeping sea!
If I, a northern wanderer, weep for thee,
What should thy sons do?—anything but weep:
And yet they only murmur in their sleep.
In contrast with their fathers—as the slime,
The dull green ooze of the receding deep,
Is with the dashing of the spring-tide foam,10
That drives the sailor shipless to his home,
Are they to those that were; and thus they creep,
Crouching and crab-like, through their sapping streets.
Oh! agony—that centuries should reap
No mellower harvest! Thirteen hundred years[2]
Of wealth and glory turned to dust and tears;
And every monument the stranger meets,
Church, palace, pillar, as a mourner greets;
And even the Lion all subdued appears,[3]
And the harsh sound of the barbarian drum,20
With dull and daily dissonance, repeats
The echo of thy Tyrant's voice along
The soft waves, once all musical to song,
That heaved beneath the moonlight with the throng
Of gondolas[4]—and to the busy hum
Of cheerful creatures, whose most sinful deeds
Were but the overbeating of the heart,
And flow of too much happiness, which needs
The aid of age to turn its course apart
From the luxuriant and voluptuous flood30
Of sweet sensations, battling with the blood.
But these are better than the gloomy errors,
The weeds of nations in their last decay,
When Vice walks forth with her unsoftened terrors,
And Mirth is madness, and but smiles to slay;
And Hope is nothing but a false delay,
The sick man's lightning half an hour ere Death,
When Faintness, the last mortal birth of Pain,
And apathy of limb, the dull beginning
Of the cold staggering race which Death is winning,40
Steals vein by vein and pulse by pulse away;
Yet so relieving the o'er-tortured clay,
To him appears renewal of his breath,
And freedom the mere numbness of his chain;
And then he talks of Life, and how again
He feels his spirit soaring—albeit weak,
And of the fresher air, which he would seek;
And as he whispers knows not that he gasps,
That his thin finger feels not what it clasps,
And so the film comes o'er him—and the dizzy50
Chamber swims round and round—and shadows busy,
At which he vainly catches, flit and gleam,
Till the last rattle chokes the strangled scream,
And all is ice and blackness,—and the earth
That which it was the moment ere our birth.[5]


II.

There is no hope for nations!—Search the page
Of many thousand years—the daily scene,
The flow and ebb of each recurring age,
The everlasting to be which hath been,
Hath taught us nought or little: still we lean60
On things that rot beneath our weight, and wear
Our strength away in wrestling with the air;
For 't is our nature strikes us down: the beasts
Slaughtered in hourly hecatombs for feasts
Are of as high an order—they must go
Even where their driver goads them, though to slaughter.
Ye men, who pour your blood for kings as water,
What have they given your children in return?
A heritage of servitude and woes,
A blindfold bondage, where your hire is blows.70
What! do not yet the red-hot ploughshares burn,[6]
O'er which you stumble in a false ordeal,
And deem this proof of loyalty the real;
Kissing the hand that guides you to your scars,
And glorying as you tread the glowing bars?
All that your Sires have left you, all that Time
Bequeaths of free, and History of sublime,
Spring from a different theme!—Ye see and read,
Admire and sigh, and then succumb and bleed!
Save the few spirits who, despite of all,80
And worse than all, the sudden crimes engendered
By the down-thundering of the prison-wall,
And thirst to swallow the sweet waters tendered,
Gushing from Freedom's fountains—when the crowd,[7]
Maddened with centuries of drought, are loud,
And trample on each other to obtain
The cup which brings oblivion of a chain
Heavy and sore,—in which long yoked they ploughed
The sand,—or if there sprung the yellow grain,
'Twas not for them, their necks were too much bowed,90
And their dead palates chewed the cud of pain:—
Yes! the few spirits—who, despite of deeds
Which they abhor, confound not with the cause
Those momentary starts from Nature's laws,
Which, like the pestilence and earthquake, smite
But for a term, then pass, and leave the earth
With all her seasons to repair the blight
With a few summers, and again put forth
Cities and generations—fair, when free—
For, Tyranny, there blooms no bud for thee!100


III.

Glory and Empire! once upon these towers[8]
With Freedom—godlike Triad! how you sate!
The league of mightiest nations, in those hours
When Venice was an envy, might abate,
But did not quench, her spirit—in her fate
All were enwrapped: the feasted monarchs knew
And loved their hostess, nor could learn to hate,
Although they humbled—with the kingly few
The many felt, for from all days and climes
She was the voyager's worship;—even her crimes110
Were of the softer order, born of Love—
She drank no blood, nor fattened on the dead,
But gladdened where her harmless conquests spread;
For these restored the Cross, that from above
Hallowed her sheltering banners, which incessant
Flew between earth and the unholy Crescent,[9]
Which, if it waned and dwindled, Earth may thank
The city it has clothed in chains, which clank
Now, creaking in the ears of those who owe
The name of Freedom to her glorious struggles;120
Yet she but shares with them a common woe,
And called the "kingdom"[10] of a conquering foe,—
But knows what all—and, most of all, we know—
With what set gilded terms a tyrant juggles!


IV.

The name of Commonwealth is past and gone
O'er the three fractions of the groaning globe;
Venice is crushed, and Holland deigns to own
A sceptre, and endures the purple robe;[11]
If the free Switzer yet bestrides alone
His chainless mountains, 't is but for a time,130
For Tyrranny of late is cunning grown,
And in its own good season tramples down
The sparkles of our ashes. One great clime,
Whose vigorous offspring by dividing ocean[12]
Are kept apart and nursed in the devotion
Of Freedom, which their fathers fought for, and
Bequeathed—a heritage of heart and hand,
And proud distinction from each other land,
Whose sons must bow them at a Monarch's motion,
As if his senseless sceptre were a wand140
Full of the magic of exploded science—
Still one great clime, in full and free defiance,
Yet rears her crest, unconquered and sublime,
Above the far Atlantic!—She has taught
Her Esau-brethren that the haughty flag,
The floating fence of Albion's feebler crag,[13]
May strike to those whose red right hands have bought
Rights cheaply earned with blood.—Still, still, for ever
Better, though each man's life-blood were a river,
That it should flow, and overflow, than creep150
Through thousand lazy channels in our veins,
Dammed like the dull canal with locks and chains,
And moving, as a sick man in his sleep,
Three paces, and then faltering:—better be
Where the extinguished Spartans still are free,
In their proud charnel of Thermopylæ,
Than stagnate in our marsh,—or o'er the deep
Fly, and one current to the ocean add,
One spirit to the souls our fathers had,
One freeman more, America, to thee![14]160

  1. [The Ode on Venice (originally Ode) was completed by July 10, 1818 (Letters, 1900, iv. 245), but was published at the same time as Mazeppa and A Fragment, June 28, 1819. The motif, a lamentation over the decay and degradation of Venice, re-echoes the sentiments expressed in the opening stanzas (i.–xix.) of the Fourth Canto of Childe Harold. A realistic description of the "Hour of Death" (lines 37–55), and a eulogy of the United States of America (lines 133–160), give distinction to the Ode.]
  2. [Compare Childe Harold, Canto IV. stanza xiii. lines 4–6.]
  3. [Compare ibid., stanza xi. lines 5–9.]
  4. [Compare Childe Harold, Canto IV. stanza iii. lines 1-4.]
  5. [Compare The Prisoner of Chillon, line 178, note 9, vide ante, p. 21.]
  6. [In contrasting Sheridan with Brougham, Byron speaks of "the red-hot ploughshares of public life."—Diary, March 10, 1814, Letters, 1898, ii. 397.]
  7. [Compare—

    "At last it [the mob] takes to weapons such as men
    Snatch when despair makes human hearts less pliant.
    Then comes 'the tug of war;'—'t will come again,
    I rather doubt; and I would fain say 'fie on 't,'
    If I had not perceived that Revolution
    Alone can save the earth from Hell's pollution."

    Don Juan, Canto VIII. stanza li. lines 3-8.]
  8. [Compare Lord Tennyson's stanzas—

    "Of old sat Freedom on the heights."]

  9. [Compare Childe Harold, Canto IV. stanza xiv. line 3, note 1 and line 6, Poetical Works, 1899, ii. 339, 340.]
  10. [In 1814 the Italian possessions of the Emperor of Austria were "constituted into separate and particular states, under the title of the kingdom of Venetian Lombardy."—Koch's Europe, p. 234.]
  11. [The Prince of Orange ... was proclaimed Sovereign Prince of the Low Countries, December 1, 1813; and in the following year, August 13, 1814, on the condition that he should make a part of the Germanic Confederation, he received the title of King of the Netherlands.—Ibid., p. 233.]
  12. [Compare "Oceano dissociabili," Hor., Odes, I. iii. 22.]
  13. [In October, 1812, the American sloop Wasp captured the English brig Frolic; and December 29, 1812, the Constitution compelled the frigate Java to surrender. In the following year, February 24, 1813, the Hornet met the Peacock off the Demerara, and reduced her in fifteen minutes to a sinking condition. On June 28, 1814, the war Wasp captured and burned the sloop Reindeer, and on September 11, 1814, the Confiance, commanded by Commodore Downie, and other vessels surrendered."—History of America, by Justin Winsor, 1888, vii. 380, seq.]
  14. [Byron repented, or feigned to repent, this somewhat provocative eulogy of the Great Republic: "Somebody has sent me some American abuse of Mazeppa and 'the Ode;' in future I will compliment nothing but Canada, and desert to the English."—Letter to Murray, February 21, 1820, Letters, 1900, iv. 410. It is possible that the allusion is to an article, "Mazeppa and Don Juan," in the Analectic Magazine, November, 1819, vol. xiv. pp. 405-410.]