XI
AS Glennard, in the raw February sunlight, mounted the road to the cemetery, he felt the beatitude that comes with an abrupt cessation of physical pain. He had reached the point where self-analysis ceases; the impulse that moved him was purely intuitive. He did not even seek a reason for it, beyond the obvious one that his desire to stand by Margaret Aubyn's grave was prompted by no attempt at a sentimental reparation, but rather by the need to affirm in some way the reality of the tie between them.
The ironical promiscuity of death had brought Mrs. Aubyn back to share the hospitality of her husband's last lodging; but though Glennard knew she had been buried near New York he had never visited her grave. He was oppressed, as he now threaded the long avenues, by a chilling vision of her return. There was no family to follow her hearse; she had died alone, as she had lived; and the "distinguished mourners" who had formed the escort of the famous writer knew nothing of the woman they were committing to the grave. Glennard could not even remember at what season she had been buried; but his mood indulged the fancy that it must have been on some such day of harsh sunlight, the incisive February brightness that gives perspicuity without warmth. The white avenues stretched before him interminably, lined with stereotyped emblems of affliction, as though all the platitudes ever uttered had been turned to marble and set up over the unresisting dead. Here and there, no doubt, a frigid urn or an insipid angel imprisoned some fine-fibred grief, as the most hackneyed words may become the vehicle of rare meanings; but for the most part the endless alignment of monuments seemed to embody those easy generalizations about death that do not disturb the repose of the living. Glennard's eye, as he followed the way pointed out to him, had instinctively sought some low mound with a quiet headstone. He had forgotten that the dead seldom plan their own houses, and with a pang he discovered the name he sought on the cyclopean base of a shaft rearing its aggressive height at the angle of two avenues.
"How she would have hated it!" he murmured.
A bench stood near and he seated himself. The monument rose before him like some pretentious uninhabited dwelling: he could not believe that Margaret Aubyn lay there. It was a Sunday morning, and black figures moved among the paths, placing flowers on the frost-bound hillocks. Glennard noticed that the neighboring graves had been thus newly dressed, and he fancied a blind stir of expectancy through the sod, as though the bare mounds spread a parched surface to that commemorative rain. He rose presently and walked back to the entrance of the cemetery. Several greenhouses stood near the gates, and turning in at the first he asked for some flowers.
"Anything in the emblematic line?" asked the anæmic man behind the dripping counter.
Glennard shook his head.
"Just cut flowers? This way then." The florist unlocked a glass door and led him down a moist green aisle. The hot air was choked with the scent of white azaleas, white lilies, white lilacs; all the flowers were white: they were like a prolongation, a mystic efflorescence, of the long rows of marble tombstones, and their perfume seemed to cover an odor of decay. The rich atmosphere made Glennard dizzy. As he leaned in the doorway, waiting for the flowers, he had a penetrating sense of Margaret Aubyn's nearness—not the imponderable presence of his inner vision, but a life that beat warm in his arms. . .
The sharp air caught him as he stepped out into it again. He walked back and scattered the flowers over the grave. The edges of the white petals shrivelled like burnt paper in the cold; and as he watched them the illusion of her nearness faded, shrank back frozen.