II
The moon that glimmered cold on Brittany
Glimmered as cold on Cornwall, where King Mark,
Only by kingly circumstance endowed
With friends enough to make a festival,
On this dim night had married and made Queen—
Of all fair women in the world by fate
The most forgotten in her loveliness
Till now—Isolt of Ireland, who had flamed
And fought so long with love that she called hate,
Inimical to Tristram for the stroke
That felled Morhaus her kinsman. Tristram, blind
With angry beauty, or in honor blind,
Or in obscure obedience unawakened,
Had given his insane promise to his uncle
Of intercession with the Irish King
And so drawn out of him a slow assent,
Not fathoming or distinguishing aright
Within himself a passion that was death,
Nor gauging with a timely recognition
The warfare of a woman’s enmity
With love without love’s name. He knew too late
How one word then would have made arras-rats
For her of all his uncles, and all kings
That he might serve with cloudy promises,
Not weighed until redeemed. Now there was time
For him to weigh them, and to weigh them well,
To the last scorching ounce of desperation,
Searing his wits and flesh like heated mail
Amidst the fiery downfall of a palace,
Where there was no one left except himself
To save, and no way out except through fire.
Glimmered as cold on Cornwall, where King Mark,
Only by kingly circumstance endowed
With friends enough to make a festival,
On this dim night had married and made Queen—
Of all fair women in the world by fate
The most forgotten in her loveliness
Till now—Isolt of Ireland, who had flamed
And fought so long with love that she called hate,
Inimical to Tristram for the stroke
That felled Morhaus her kinsman. Tristram, blind
With angry beauty, or in honor blind,
Or in obscure obedience unawakened,
Had given his insane promise to his uncle
Of intercession with the Irish King
And so drawn out of him a slow assent,
Not fathoming or distinguishing aright
Within himself a passion that was death,
Nor gauging with a timely recognition
The warfare of a woman’s enmity
With love without love’s name. He knew too late
How one word then would have made arras-rats
For her of all his uncles, and all kings
That he might serve with cloudy promises,
Not weighed until redeemed. Now there was time
For him to weigh them, and to weigh them well,
To the last scorching ounce of desperation,
Searing his wits and flesh like heated mail
Amidst the fiery downfall of a palace,
Where there was no one left except himself
To save, and no way out except through fire.
Partly to balk his rage, partly to curse
Unhindered an abject ineptitude
That like a drug had held him and withheld him
In seizing once from love’s imperial garden
The flower of all things there, now Tristram leaned
Alone upon a parapet below
The lights of high Tintagel, where gay music
Had whipped him as a lash and driven him out
Into the misty night, which might have held
A premonition and a probing chill
For one more tranquil and less exigent,
And not so much on fire. Down through the gloom
He gazed at nothing, save a moving blur
Where foamed eternally on Cornish rocks
The moan of Cornish water; and he asked,
With a malignant inward voice of envy,
How many scarred cold things that once had laughed
And loved and wept and sung, and had been men,
Might have been knocked and washed indifferently
On that hard shore, and eaten gradually
By competent quick fishes and large crabs
And larger birds, not caring a wink which
Might be employed on their spent images,
No longer tortured there, if God was good,
By memories of the fools and royal pimps
That once unwittingly they might have been—
Like Tristram, who could wish himself as far
As they were from a wearing out of life
On a racked length of days. Now and again
A louder fanfare of malicious horns
Would sing down from the festival above him,
Smiting his angry face like a wet clout
That some invisible scullion might have swung,
Too shadowy and too agile to be seized
And flung down on those rocks. Now and again
Came over him a cold soul-retching wave
Of recognition past reality,
Recurrent, vile, and always culminating
In a forbidden vision thrice unholy
Of Mark, his uncle, like a man-shaped goat
Appraising with a small salacious eye,
And slowly forcing into his gaunt arms,
And all now in a few impossible hours
That were as possible as pain and death,
The shuddering unreal miracle of Isolt,
Which was as real as torture to the damned
In hell, or in Cornwall. Before long now
That music and that wordless murmuring
Of distant men and women, who divined
As much or little as they might, would cease;
The mocking lights above him would go out;
There would be silence; and the King would hold
Isolt—Isolt of the dark eyes—Isolt
Of the patrician passionate helplessness—
Isolt of the soft waving blue-black hair—
Isolt of Ireland—in his vicious arms
And crush the bloom of her resisting life
On his hot, watery mouth, and overcome
The protest of her suffering silk skin
With his crude senile claws. And it was he,
Tristram, the loud-accredited strong warrior,
Tristram, the loved of women, the harp-player,
Tristram, the learned Nimrod among hunters,
Tristram, the most obedient imbecile
And humble servant of King Mark his uncle,
Who had achieved all this. For lack of sight
And sense of self, and imperturbably,
He had achieved all this and might do more,
No doubt, if given the time. Whereat he cursed
Himself again, and his complacent years
Of easy blindness. Time had saved for him
The flower that he had not the wit to seize
And carry a few leagues across the water,
Till when he did so it was his no more,
And body and soul were sick to think of it.
Why should he not be sick? “Good God in heaven,”
He groaned aloud, “why should I not be sick!”
“No God will answer you to say why not,”
Said one descending heavily but unheard,
And slowly, down the stairs. “And one like me,
Having seen more seasons out than you have seen,
Would say it was tonight your prime intention
To make yourself the sickest man in Cornwall.”
Gouvernail frowned and shivered as he spoke,
And waited as a stranger waits in vain
Outside a door that none within will open.
Unhindered an abject ineptitude
That like a drug had held him and withheld him
In seizing once from love’s imperial garden
The flower of all things there, now Tristram leaned
Alone upon a parapet below
The lights of high Tintagel, where gay music
Had whipped him as a lash and driven him out
Into the misty night, which might have held
A premonition and a probing chill
For one more tranquil and less exigent,
And not so much on fire. Down through the gloom
He gazed at nothing, save a moving blur
Where foamed eternally on Cornish rocks
The moan of Cornish water; and he asked,
With a malignant inward voice of envy,
How many scarred cold things that once had laughed
And loved and wept and sung, and had been men,
Might have been knocked and washed indifferently
On that hard shore, and eaten gradually
By competent quick fishes and large crabs
And larger birds, not caring a wink which
Might be employed on their spent images,
No longer tortured there, if God was good,
By memories of the fools and royal pimps
That once unwittingly they might have been—
Like Tristram, who could wish himself as far
As they were from a wearing out of life
On a racked length of days. Now and again
A louder fanfare of malicious horns
Would sing down from the festival above him,
Smiting his angry face like a wet clout
That some invisible scullion might have swung,
Too shadowy and too agile to be seized
And flung down on those rocks. Now and again
Came over him a cold soul-retching wave
Of recognition past reality,
Recurrent, vile, and always culminating
In a forbidden vision thrice unholy
Of Mark, his uncle, like a man-shaped goat
Appraising with a small salacious eye,
And slowly forcing into his gaunt arms,
And all now in a few impossible hours
That were as possible as pain and death,
The shuddering unreal miracle of Isolt,
Which was as real as torture to the damned
In hell, or in Cornwall. Before long now
That music and that wordless murmuring
Of distant men and women, who divined
As much or little as they might, would cease;
The mocking lights above him would go out;
There would be silence; and the King would hold
Isolt—Isolt of the dark eyes—Isolt
Of the patrician passionate helplessness—
Isolt of the soft waving blue-black hair—
Isolt of Ireland—in his vicious arms
And crush the bloom of her resisting life
On his hot, watery mouth, and overcome
The protest of her suffering silk skin
With his crude senile claws. And it was he,
Tristram, the loud-accredited strong warrior,
Tristram, the loved of women, the harp-player,
Tristram, the learned Nimrod among hunters,
Tristram, the most obedient imbecile
And humble servant of King Mark his uncle,
Who had achieved all this. For lack of sight
And sense of self, and imperturbably,
He had achieved all this and might do more,
No doubt, if given the time. Whereat he cursed
Himself again, and his complacent years
Of easy blindness. Time had saved for him
The flower that he had not the wit to seize
And carry a few leagues across the water,
Till when he did so it was his no more,
And body and soul were sick to think of it.
Why should he not be sick? “Good God in heaven,”
He groaned aloud, “why should I not be sick!”
“No God will answer you to say why not,”
Said one descending heavily but unheard,
And slowly, down the stairs. “And one like me,
Having seen more seasons out than you have seen,
Would say it was tonight your prime intention
To make yourself the sickest man in Cornwall.”
Gouvernail frowned and shivered as he spoke,
And waited as a stranger waits in vain
Outside a door that none within will open.
“I may be that already,” Tristram said,
“But I’m not cold. For I’m a seer tonight,
And consequently full of starry thoughts.
The stars are not so numerous as they were,
But there’s a brotherly white moon up there,
Such as it is. Well, Gouvernail, what word
Has my illustrious and most amorous
And most imperious Uncle Mark prepared
For you to say to me that you come scowling
So far down here to say it? You are next
To nearest, not being my father, of all men
Of whom I am unworthy. What’s the word?”
“But I’m not cold. For I’m a seer tonight,
And consequently full of starry thoughts.
The stars are not so numerous as they were,
But there’s a brotherly white moon up there,
Such as it is. Well, Gouvernail, what word
Has my illustrious and most amorous
And most imperious Uncle Mark prepared
For you to say to me that you come scowling
So far down here to say it? You are next
To nearest, not being my father, of all men
Of whom I am unworthy. What’s the word?”
“Tristram, I left the King annoyed and anxious
On your account, and for the nonce not pleased.”
“What most annoys my uncle, for the nonce?
God knows that I have done for him of late
More than an army, made of nephews only,
Shall ever be fools enough to do again.
When tired of feasting and of too much talk,
And too much wine and too much happy music,
May not his royal nephew have some air,
Even though his annoyed uncle be a king?
My father is a king, in Lyonesse;
And that’s about as much as being a king
In Cornwall is—or one here now might say so.”
On your account, and for the nonce not pleased.”
“What most annoys my uncle, for the nonce?
God knows that I have done for him of late
More than an army, made of nephews only,
Shall ever be fools enough to do again.
When tired of feasting and of too much talk,
And too much wine and too much happy music,
May not his royal nephew have some air,
Even though his annoyed uncle be a king?
My father is a king, in Lyonesse;
And that’s about as much as being a king
In Cornwall is—or one here now might say so.”
“Forgive me Tristram, but I’m old for this.
The King knows well what you have done for him,
And owns a gratitude beyond the gift
Of utterance for the service of your word.
But the King does not know, and cannot know,
Your purpose in an act ungenerous,
If not unseemly. What shall I say to him
If I go back to him alone? Tristram,
There are some treasured moments I remember
When you have made me loyal to you always
For saying good words of me, and with no care
Whether or not they came back to my ears.
Surely, if past attention and tuition
Are not forgotten, you will not forget
This present emptiness of my confusion.
If I go back alone, what shall I say?”
The King knows well what you have done for him,
And owns a gratitude beyond the gift
Of utterance for the service of your word.
But the King does not know, and cannot know,
Your purpose in an act ungenerous,
If not unseemly. What shall I say to him
If I go back to him alone? Tristram,
There are some treasured moments I remember
When you have made me loyal to you always
For saying good words of me, and with no care
Whether or not they came back to my ears.
Surely, if past attention and tuition
Are not forgotten, you will not forget
This present emptiness of my confusion.
If I go back alone, what shall I say?”
“Say to the King that if the King command
Implacably my presence, I will come.
But say as an addition that I’m sick,
And that another joyful hour with him
This night might have eventful influences.
Nothing could be more courteous, if said well,
Or more consistent with infirm allegiance.
Say to the King I’m sick. If he doubts that,
Or takes it ill, say to the King I’m drunk.
His comprehensions and remembrances
Will compass and envisage, peradventure,
The last deplorable profundity
Of my defection if you say, for me,
That in my joy my caution crept away
Like an unfaithful hound and went to sleep.
Gouvernail, you are cold.”
Implacably my presence, I will come.
But say as an addition that I’m sick,
And that another joyful hour with him
This night might have eventful influences.
Nothing could be more courteous, if said well,
Or more consistent with infirm allegiance.
Say to the King I’m sick. If he doubts that,
Or takes it ill, say to the King I’m drunk.
His comprehensions and remembrances
Will compass and envisage, peradventure,
The last deplorable profundity
Of my defection if you say, for me,
That in my joy my caution crept away
Like an unfaithful hound and went to sleep.
Gouvernail, you are cold.”
Gouvernail sighed
And fixed an eye calm with experience,
And with affection kind, on Tristram, sadly.
“Yes, I am cold,” he said. “Here at my heart
I feel a blasting chill. Will you not come
With me to see the King and Queen together?
Or must I mumble as I may to them,
Alone, this weary jest of your complaint?”
And fixed an eye calm with experience,
And with affection kind, on Tristram, sadly.
“Yes, I am cold,” he said. “Here at my heart
I feel a blasting chill. Will you not come
With me to see the King and Queen together?
Or must I mumble as I may to them,
Alone, this weary jest of your complaint?”
“God’s love, have I not seen the two together!
And as for my complaint, mumble or not.
Mumble or shriek it; or, as you see fit,
Call for my harp and sing it.” Tristram laid
His hands on Gouvernail’s enduring shoulders
Which many a time had carried him for sport
In a far vanished childhood, and looked off
Where patient skill had made of shrubs and rocks
Together a wild garden half way down
To the dusk-hidden shore. “Believe my word,
My loyal and observing Gouvernail,”
He said, and met the older man’s regard
With all that he could muster of a smile.
“Believe my word, and say what I have said,
Or something as much better as you may.
Believe my word no less that I am sick,
And that I’d feed a sick toad to my brother
If in my place he were not sick without it.”
And as for my complaint, mumble or not.
Mumble or shriek it; or, as you see fit,
Call for my harp and sing it.” Tristram laid
His hands on Gouvernail’s enduring shoulders
Which many a time had carried him for sport
In a far vanished childhood, and looked off
Where patient skill had made of shrubs and rocks
Together a wild garden half way down
To the dusk-hidden shore. “Believe my word,
My loyal and observing Gouvernail,”
He said, and met the older man’s regard
With all that he could muster of a smile.
“Believe my word, and say what I have said,
Or something as much better as you may.
Believe my word no less that I am sick,
And that I’d feed a sick toad to my brother
If in my place he were not sick without it.”
Gouvernail sighed, and with a deeper sigh
Looked off across the sea. “Tristram,” he said,
“I can see no good coming out of this,
But I will give your message as I can,
And with as light misgiving as I may.
Yet where there is no love, too often I find
As perilous a constriction in our judgment
As where there is too much.”
Looked off across the sea. “Tristram,” he said,
“I can see no good coming out of this,
But I will give your message as I can,
And with as light misgiving as I may.
Yet where there is no love, too often I find
As perilous a constriction in our judgment
As where there is too much.”
Tristram pursued
The mentor of his childhood and his youth
With no more words, and only made of him
In the returning toil of his departure
A climbing silence that would soon be met
By sound and light, and by King Mark again,
And by Isolt again. Isolt of Ireland!
Isolt, so soon to be the bartered prey
Of an unholy sacrifice, by rites
Of Rome made holy. Tristram groaned and wept,
And heard once more the changeless moan below
Of an insensate ocean on those rocks
Whereon he had a mind to throw himself.
“My God! If I were dreaming this,” he said,
“My sleep would be a penance for a year.
But I am neither dead nor dreaming now,
I’m living and awake. If this be life,
What a soul-healing difference death must be,
Being something else . . . Isolt! Isolt of Ireland!”
The mentor of his childhood and his youth
With no more words, and only made of him
In the returning toil of his departure
A climbing silence that would soon be met
By sound and light, and by King Mark again,
And by Isolt again. Isolt of Ireland!
Isolt, so soon to be the bartered prey
Of an unholy sacrifice, by rites
Of Rome made holy. Tristram groaned and wept,
And heard once more the changeless moan below
Of an insensate ocean on those rocks
Whereon he had a mind to throw himself.
“My God! If I were dreaming this,” he said,
“My sleep would be a penance for a year.
But I am neither dead nor dreaming now,
I’m living and awake. If this be life,
What a soul-healing difference death must be,
Being something else . . . Isolt! Isolt of Ireland!”
Gazing at emptiness for a long time
He looked away from life, and scarcely heard,
Coming down slowly towards him from above,
A troubling sound of cloth. “Good evening, sir,
Perhaps you do not know me, or remember
That once you gave a lady so much honor
As to acknowledge her obscure existence.
From late accounts you are not here to know
Your friends on this especial famous evening.
Why do you stay away from history
Like this? Kings are not married every night.”
He looked away from life, and scarcely heard,
Coming down slowly towards him from above,
A troubling sound of cloth. “Good evening, sir,
Perhaps you do not know me, or remember
That once you gave a lady so much honor
As to acknowledge her obscure existence.
From late accounts you are not here to know
Your friends on this especial famous evening.
Why do you stay away from history
Like this? Kings are not married every night.”
Perceiving there beside him a slim figure
Provisionally cloaked against the cold,
He bowed as in a weary deference
To childish fate. “Surely I know you, Madam;
You are among the creatures of distinction
Whose quality may be seen even in the dark.
You are Queen Morgan, a most famous lady,
And one that only kings in holy joy
Could ask or dream to be their messenger.
What new persuasion has the King conceived
Beyond this inspiration of your presence?”
Provisionally cloaked against the cold,
He bowed as in a weary deference
To childish fate. “Surely I know you, Madam;
You are among the creatures of distinction
Whose quality may be seen even in the dark.
You are Queen Morgan, a most famous lady,
And one that only kings in holy joy
Could ask or dream to be their messenger.
What new persuasion has the King conceived
Beyond this inspiration of your presence?”
“It is not dark,” she said; “or not so dark
But that a woman sees—if she be careful
Not to fall down these memorable stairs
And break her necessary little neck
At Tristram’s feet. And you might make of that
Only another small familiar triumph
Hardly worth sighing for. Well then, the King
Is vexed and vicious. Your man Gouvernail
Says you are sick with wine. Was that the best
That your two heads together could accomplish?
Will you not for the King’s sake, or the Queen’s,
Be more compliant, and not freeze to death?”
But that a woman sees—if she be careful
Not to fall down these memorable stairs
And break her necessary little neck
At Tristram’s feet. And you might make of that
Only another small familiar triumph
Hardly worth sighing for. Well then, the King
Is vexed and vicious. Your man Gouvernail
Says you are sick with wine. Was that the best
That your two heads together could accomplish?
Will you not for the King’s sake, or the Queen’s,
Be more compliant, and not freeze to death?”
“Madam, say to the King that if the King
Command me, I will come. Having said that,
It would be gracious of you to be merry—
Malicious, if you must—and say, also,
You found in me a melancholy warning
For all who dim their wits obliviously.
Say it as delicately or as directly
As humors your imperial preference.”
Command me, I will come. Having said that,
It would be gracious of you to be merry—
Malicious, if you must—and say, also,
You found in me a melancholy warning
For all who dim their wits obliviously.
Say it as delicately or as directly
As humors your imperial preference.”
Queen Morgan, coming closer, put a small
And cat-like hand on Tristram: “In this world
Of lies, you lay a burden on my virtue
When you would teach me a new alphabet.
I’ll turn my poor wits inside out, of course,
Telling an angry king how sick you are—
With wine or whatsoever. Though I shall know
The one right reason why you are not merry,
I’ll never scatter it, not for the King’s life—
Though I might for the Queen’s. Isolt should live,
If only to be sorry she came here—
With you—away from Ireland to be married
To a man old enough to bury himself.
But kings are kings, and by contriving find
Ways over many walls. This being their fate,
It was a clever forethought of the Lord
That there should be a woman or two left
With even Isolt no longer possible.
A school of prudence would establish you
Among the many whose hearts have bled and healed.”
And cat-like hand on Tristram: “In this world
Of lies, you lay a burden on my virtue
When you would teach me a new alphabet.
I’ll turn my poor wits inside out, of course,
Telling an angry king how sick you are—
With wine or whatsoever. Though I shall know
The one right reason why you are not merry,
I’ll never scatter it, not for the King’s life—
Though I might for the Queen’s. Isolt should live,
If only to be sorry she came here—
With you—away from Ireland to be married
To a man old enough to bury himself.
But kings are kings, and by contriving find
Ways over many walls. This being their fate,
It was a clever forethought of the Lord
That there should be a woman or two left
With even Isolt no longer possible.
A school of prudence would establish you
Among the many whose hearts have bled and healed.”
“Madam, you are a woman and a queen;
Wherefore a man, by force of courtesy,
Will hardly choose but listen. No doubt your words
Have a significance in their disguise;
Yet having none for me, they might be uttered
As well in a lost language found on ruins
As in our northern manner. If kings are kings
In your report, queens, I perceive, are queens,
And have their ways also.”
Wherefore a man, by force of courtesy,
Will hardly choose but listen. No doubt your words
Have a significance in their disguise;
Yet having none for me, they might be uttered
As well in a lost language found on ruins
As in our northern manner. If kings are kings
In your report, queens, I perceive, are queens,
And have their ways also.”
“A sort of queen.”
She laughed, showing her teeth and shining eyes,
And shrugged herself a little nearer to him,
Having not far to come: “But not the sort
That makes a noise where now there are so many.
If silly men pursue me and make songs
About me, it may be because they’ve heard
Some legend that I’m strange. I am not strange—
Not half so strange as you are.”
She laughed, showing her teeth and shining eyes,
And shrugged herself a little nearer to him,
Having not far to come: “But not the sort
That makes a noise where now there are so many.
If silly men pursue me and make songs
About me, it may be because they’ve heard
Some legend that I’m strange. I am not strange—
Not half so strange as you are.”
Tristram saw
Before him a white neck and a white bosom
Beneath a fair and feline face whereon
Demure determination was engraved
As on a piece of moonlit living marble,
And could at once have smiled and sighed to see
So much premeditated danger wasted
On his despair and wrath. “Yes, you are strange,”
He said, “and a sagacious peril to men—
Wherefore they must pursue you and make songs.
You are an altogether perilous lady,
And you had best go back now to the King,
Saying that I’m not well. I would conserve
The few shreds left of my integrity
From your displeasure and for wiser vision.
Say to the King I feasted over much
In recognition of his happiness—
An error that apology too soon
Might qualify too late. Tell the King so,
And I am your obedient slave for ever.
Before him a white neck and a white bosom
Beneath a fair and feline face whereon
Demure determination was engraved
As on a piece of moonlit living marble,
And could at once have smiled and sighed to see
So much premeditated danger wasted
On his despair and wrath. “Yes, you are strange,”
He said, “and a sagacious peril to men—
Wherefore they must pursue you and make songs.
You are an altogether perilous lady,
And you had best go back now to the King,
Saying that I’m not well. I would conserve
The few shreds left of my integrity
From your displeasure and for wiser vision.
Say to the King I feasted over much
In recognition of his happiness—
An error that apology too soon
Might qualify too late. Tell the King so,
And I am your obedient slave for ever.
A wry twist, all but imperceptible
Disfigured for an instant her small mouth
Before she smiled and said: “We are the slaves,
Not you. Not even when most we are in power
Are women else than slaves to men they honor.
Men worthy of their reverence know this well,
And honor them sometimes to humor them.
We are their slaves and their impediments,
And there is much in us to be forgiven.”
Disfigured for an instant her small mouth
Before she smiled and said: “We are the slaves,
Not you. Not even when most we are in power
Are women else than slaves to men they honor.
Men worthy of their reverence know this well,
And honor them sometimes to humor them.
We are their slaves and their impediments,
And there is much in us to be forgiven.”
He drew the fringes of her cloak together,
Smiling as one who suffers to escape
Through silence to familiar misery.
“Madam, I fear that you are taking cold,”
He said. “Say to the King that I’m not well.”
She laughed, and having mounted a few steps
Paused and looked down at him inscrutably:
“‘An error that apology too soon
May qualify too late?’ Was it like that?
England is not so large as the wide sky
That holds the stars, and we may meet again.
Good night, Sir Tristram, Prince of Lyonesse.”
Smiling as one who suffers to escape
Through silence to familiar misery.
“Madam, I fear that you are taking cold,”
He said. “Say to the King that I’m not well.”
She laughed, and having mounted a few steps
Paused and looked down at him inscrutably:
“‘An error that apology too soon
May qualify too late?’ Was it like that?
England is not so large as the wide sky
That holds the stars, and we may meet again.
Good night, Sir Tristram, Prince of Lyonesse.”